101. ‘We want to say that there can't be any vagueness in
logic.
The idea now absorbs us, that the ideal 'must' be found
in reality.
Meanwhile we do not as yet see how it occurs there, nor do
we
understand the nature of this "must". We think it
must be in reality;
for we think we already see it there.’
‘vagueness in logic’?
any so called ‘logic’ – any theory of ‘logic’ – is when all
is said and done – a proposal – a proposal open to question – open to doubt –
and uncertain
as to the nature of this ‘must’ –
it’s nature is not logical – but rhetorical –
there is no logical ‘must” –
the only authority is authorship –
and authorship – the authorship of a proposal – is logically
irrelevant
‘Meanwhile we do not as yet see how it occurs there, nor do
we understand the nature of this "must". We think it must be in
reality; for we think we already see it there.’
this is Wittgenstein sinking back into the mysticism
of the Tractatus –
and just in general – mysticism of any kind is a denial
of propositional reality
mystics propose a hidden reality –
there is no hidden reality – there is only what is proposed
– and what is proposed – is in your face –
sometimes hard to face – I know –
and I don’t blame anyone for turning away –
but it is what is –
and open to question – open to doubt – and uncertain
102. ‘The strict and clear rules of the logical structure of
propositions
appear to us as something in the background—hidden in the
medium of the understanding. I already see them (even though
through a medium): for I understand the propositional sign, I
use it
to say something.’
you can propose rules for the logical structure of
propositions
doing so is proposing a game –
a rule-governed propositional action – and calling this game
– ‘logic’
and if you play this game – you play it according to
its rules –
the rules that are put and are accepted by those who play the
game
there is no ‘hidden’ propositional reality –
no hidden propositional games –
the playing of propositional games – is apparent –
there is no hidden reality behind the appearance –
and to suggest that there is – is illogical and pretentious
and it is to suggest that the ground of propositional activity
– is mystical –
which to my mind amounts to giving the game away
a game is a play – it is not a proposal –
playing a game is not proposing – it is not saying
anything – it is engaging in play
a game as played is not open to question – is not open
to doubt – and is not uncertain
in so far as we use propositional signs ‘to say something’ –
we are proposing –
when I use a propositional sign ‘to say something’ – I propose
–
and whatever I propose – is open to question – open to doubt
– and is uncertain
103. ‘The ideal, as we think of it, is unshakable. You can
never get
outside it; you must always turn back. There is no outside;
outside
you cannot breathe.—Where does this idea come from? It is
like a pair
of glasses on our nose through which we see whatever we look
at. It
never occurs to us to take them off.’
if the ideal is ‘unshakeable’ – it’s useless
you can always get ‘outside’ it – outside of any proposal –
by putting it to question – by putting it to doubt – by exploring its
uncertainty –
for to explore its uncertainty is not just to look at it
critically – but to consider – to bring into consideration other – alternative
– proposals –
alternative ways of proceeding
the outside of any proposal is logical / propositional space
–
it is there to be explored
if you want to ‘breathe’ – in a logical sense – keep an open
mind – don’t fall into the trap of certainty – that is where you will suffocate
this unshakeable ideal – ‘where does it come from?’
it comes from ignorance
104. ‘We predicate of the thing what lies in the method of
representing it.
Impressed by the possibility of a comparison, we think
we are perceiving a state of affairs of the highest
generality.’
be that as it may – any proposal of generality – is ripe for
question and for doubt
a proposal of generality – is a field of uncertainty
105. ‘When we believe that we must find that order, must
find the
ideal, in our actual language, we become dissatisfied with
what are
ordinarily called "propositions",
"words", "signs".
The proposition and the word that logic deals with are supposed
to be something pure and clear-cut. And we rack our brains over
the
nature of the real sign.—It is perhaps the idea of
the sign? or the idea at
the present moment?’
you can propose an order and determine it with rules –
if you do this you create a propositional game
our actual language – our normal propositional use – is not
a rule-governed game –
our actual language is proposal – open to question – open to
doubt – and uncertain
there should be no ‘dissatisfaction’ – here we have two different
modes of propositional activity – the game mode – and the critical mode –
both have a place and function in our propositional lives
the point is not to confuse one for the other
who says the proposals that logic deals with are supposed to
be pure and clear-cut?
you might apply ‘pure’ and ‘clear-cut’ to games – but in
truth – ‘rule-governed’ – should be enough
our proposals – our signs – from a logical point of view –
are open to question – open to doubt – and uncertain
106. ‘Here it is difficult as it were to keep our heads
up,—to see
that we must stick to the subjects of our every-day
thinking, and not
go astray and imagine that we have to describe extreme subtleties,
which in turn we are after all quite unable to describe with
the
means at our disposal. We feel as if we had to repair a torn
spider's
web with our fingers.’
there is no difficulty here –
you can stick to your everyday thinking – or you can propose
extreme subtleties –
whatever proposal is put – that proposal is open to question
– open to doubt – and uncertain
there is nothing to repair
whatever is proposed is open to question
107. ‘The more narrowly we examine actual language, the sharper
becomes the conflict between it and our requirement. (For the
crystalline
purity of logic was, of course, not a result of investigation:
it was a
requirement.) The conflict becomes intolerable; the
requirement is
now in danger of becoming empty.—We have got on to slippery
ice
where there is no friction and so in a certain sense the conditions
are
ideal, but also, just because of that, we are unable to walk.
We want to
walk: so we need friction. Back to the rough ground!’
the crystalline purity of logic – a requirement?
first up – if by ‘the crystalline purity’ – is meant that ‘logic’
– whatever this is supposed to mean here – is beyond question – beyond doubt –
and certain –
then this ‘logic’ has nothing to do with propositions
propositions are proposal – open to question – open to doubt
– and uncertain
‘The requirement is in danger of becoming empty’ –
this requirement that Wittgenstein is on about – his
‘crystalline purity’ – has absolutely nothing at all to do with logic –
logically speaking it is not in the picture –
‘empty’ – gives it too much status –
the only logical requirement – is to put any proposal – any
proposition – to question – to doubt – and to explore its uncertainty
the ‘friction’ Wittgenstein is looking for is always there –
the friction just is
uncertainty – propositional uncertainty
and it is not a matter of getting back to ‘the rough ground’
–
there is no ground but propositional ground – no ground but the
proposal
and the ground of any proposal – of any proposition – is
uncertainty
108. ‘We see that what we call "sentence" and
"language" has
not the formal unity that I imagined, but is the family of
structures
more or less related to one another.——But what becomes of
logic
now? Its rigour seems to be giving way here.—But in that case
doesn't
logic altogether disappear?—For how can it lose its rigour?
Of course
not by our bargaining any of its rigour out of it.—The preconceived
idea
of crystalline purity can only be removed by turning our
whole
examination round. (One might say: the axis of reference of
our
examination must be rotated, but about the fixed point of
our real need.)
The philosophy of logic speaks of sentences and words in exactly
the
sense in which we speak of them in ordinary life when we say
e.g.
--------------------------------------------------------------------------------
Faraday in The Chemical History of a Candle:
"Water is one individual
thing—it never changes.
--------------------------------------------------------------------------------
"Here is a Chinese sentence", or "No, that only
looks like writing; it is
actually just an ornament" and so on.
We are talking about the spatial and temporal phenomenon of
language, not about some non-spatial, non-temporal phantasm.
[Note
in margin: Only it is possible to be interested in a phenomenon
in a
variety of ways]. But we talk about it as we do about the pieces
in
chess when we are stating the rules of the game, not describing
their
physical properties.
The question "What is a word really?" is analogous
to "What is a piece in chess?’
for Wittgenstein – the ‘crystalline purity of logic’ – is to
be replaced with ‘the rules of the game’
I can understand that he saw this as a step forward –
what he doesn’t understand is that – this model of ‘rules of
the game’ – that he is proposing – is a proposal – like any other – open to
question – open to doubt – and uncertain –
that is to say – these ‘rules of the game’ have no special
logical status
yes – you can view language in terms of this model –
but it is only one view – and one view among many –
if you understand this – then you are logically sound
the question then becomes – just how useful is this model?
now there will be no knock down answer here –
any answer will be open to question – open to doubt – and
uncertain
perhaps this model is a big success in terms of Wittgenstein’s
program –
but then his view of the logical situation – is just one
view – and open to question
does he hold his philosophy of language open to question?
I don’t know – but I think there is a case for saying that
he does – certainly his method of philosophy – his style – suggests an open
approach –
though it must be said – he never explicitly states that this
is his view – and indeed any view is open to question – open to doubt – and is
uncertain
perhaps what we have with the Investigations – is a
step in the way to this understanding
just back on the ‘rules of the game’ model –
the real problem is that it just does not fit all propositional
activity
yes – there are propositional games – but not all propositional
activity is a rule-governed game
there is only so far you can push this model –
and I would suggest – it just does not fit well – with propositional
activity in general –
much – in fact – most – of what goes on propositionally – is
not rule-governed – is not playing some game
and in saying this I am making the point that there is no
hidden – subterranean – realm of rules – that are operating – that we are not
aware of –
if there are rules – they are on the board – they are apparent
– they are known –
to think otherwise – is to give up the game altogether – and
fall in to the mysticism hole
‘The question "What is a word really?" is analogous
to "What is a piece in chess?’ –
a word – is a proposal – a piece in chess – is a proposal
–
a proposal – is open to question – open to doubt –
and uncertain
109. ‘It was true to say that our considerations could not
be scientific
ones. It was not of any possible interest to us to find out
empirically
'that, contrary to our preconceived ideas, it is possible to
think such-
and-such'—whatever that may mean. (The conception of thought
as a
gaseous medium.) And we may not advance any kind of theory.
There
must not be anything hypothetical in our considerations. We
must do
away with all explanation, and description alone must
take its place.
And this description gets its light, that is to say its purpose,
from
the philosophical problems. These are, of course, not
empirical
problems; they are solved, rather, by looking into the
workings of our
language, and that in such a way as to make us recognize
those workings:
in despite of an urge to misunderstand them. The
problems are
solved, not by giving new information, but by arranging what
we
have always known. Philosophy is a battle against the bewitchment
of our intelligence by means of language.’
our propositions are open to question – open to doubt – and
uncertain –
whether these propositions are described as philosophical –
or scientific – or indeed – ‘preconceived’
a theory is a proposal – to say ‘we must not advance any
kind of theory’ – is effectively to say we must not advance any kind of proposal
–
this would bring the whole shebang to a grinding halt
‘there must not be anything hypothetical in our
considerations’ – is effectively to say
no proposal put is open to question – open to doubt – or uncertain
–
if this was implemented – there would be no growth of
knowledge
‘we must do away with explanation’ –
again a stupid proposal – and one that limits propositional
activity – if not kills it off altogether –
talk about a logical death wish
an explanation – is a proposal – a proposal in relation to a
subject proposal – and as with the subject proposal – open to question
‘description alone must take its place’
‘explanation’ and ‘description’ – are just different
propositional uses
as for ‘philosophical problems’ –
what we have with a ‘philosophical problem’ is the conflict
of different proposals – in response to a subject proposal –
rational philosophical activity – is the activity of question
– of doubt – the exploration of
propositional uncertainty
‘These are, of course, not empirical problems; they are
solved, rather, by looking into the workings of our language, and that in such
a way as to make us recognize those workings: in despite of an urge to
misunderstand them.’
looking into the workings of our language – can be regarded as
an empirical activity –
and whether described as an empirical activity or not – the
‘workings of our language’ – is a matter open to question – open to doubt and uncertain
Wittgenstein here wants to suggest that there is a ‘workings
of language’ – that is beyond question – beyond doubt – and certain –
and that somehow or another – if we look hard enough – we
will see the light
he put the same argument in the Tractatus
furthermore and most importantly – there is no misunderstanding
–
what you will have is different proposals regarding
the ‘workings of our language’ – different explanations of the ‘workings
of language’– different descriptions of the ‘workings of our language’
different proposals – not mistaken proposals – different
proposals – open to question – open to doubt – and uncertain
‘The problems are solved, not by giving new information, but
by arranging what we
have always known. Philosophy is a battle against the bewitchment
of our intelligence by means of language.’
let’s be clear – no problems are solved – any so called
‘solution’ to a problem is open to question – open to doubt – and uncertain
and for that matter –
any so called ‘problem’ – is open to question – open to doubt – and
uncertain
not by giving new information – but by arranging what we have
always known?
firstly – arranging what we have always known – is an empirical
activity – and further any arranging will result in a different
understanding – a new understanding
the logical point is that any proposal that may come from
such an arranging – is open to question – open to doubt – and is uncertain
‘Philosophy is a battle against the bewitchment of our
intelligence by means of language.’
philosophy is the battle against certainty – dogmatism –
prejudice – and pretence
and the battle is fought with question – with doubt – and
with the exploration of propositional uncertainty
110. ‘"Language (or thought) is something unique"—this
proves to
be a superstition (not a mistake!), itself produced by
grammatical illusions.
And now the impressiveness retreats to these illusions, to
the
problems.’
‘Language (or thought) is something unique’ –
if Joe Blow wants to put up this proposal – so be it –
and if the response is –
‘this proves to be a superstition (not a mistake!), itself
produced by grammatical illusions. And now the impressiveness retreats to these
illusions, to the
problems’ – so be it –
what we have here is two proposals – two proposals – open to
question – open to doubt – and uncertain
111. ‘The problems arising through a misinterpretation of
our forms
of language have the character of depth. They are
deep disquietudes;
their roots are as deep in us as the forms of our language and
their
significance is as great as the importance of our
language.——Let us
ask ourselves: why do we feel a grammatical joke to be deep?
(And that
is what the depth of philosophy is.)’
our forms of language – the different propositional
constructions that we are presented with – that we deal with –
these constructions are proposals – and entrenched as they
may be in our culture – or any culture – they are not beyond question – they
are not beyond doubt –
they are as with any proposal – from a logical point of view
– uncertain –
there is no misinterpretation of propositional forms – there
is only different proposals put in relation to these constructions – and their
relations
what Wittgenstein calls ‘deep disquietude’ – is logical
uncertainty
if you understand that propositional uncertainty – is the
ground of all and any propositional activity –
you are likely to see it as simply the way of propositional life
–
I would think there is only ‘deep disquietude’ – if you
think – or imagine – or want –
our propositional reality to be otherwise –
and if you don’t face propositional reality – if you don’t
face reality – yes – you are likely to be deeply disquieted
as for grammatical jokes – puerile
I do not mean to belittle Wittgenstein here – I understand
his depth of feeling –
I just think he is on the wrong track
112. ‘A simile that has been absorbed into the forms of our
language
produces a false appearance, and this disquiets us.
"But this
isn't how it is!"—we say. "Yet this is how it has
to be!"’
a simile doesn’t produce a false appearance – if it produces
an appearance at all – it produces a different appearance –
this doesn’t disquiet us – it delights us –
or it leaves us with a propositional structure which we can
use when it suits us
we don’t say ‘But this isn’t how it is’ – we consider the possibility
of seeing it in such a way
and it is not the case that ‘Yet this is how it has to be!’
–
there is no necessity in any comparison
114. ‘(Tractatus Logico-Philosophicus, 4.5):
"The general form of
propositions is: This is how things are."——That is the
kind of proposition
that one repeats to oneself countless times. One thinks that
one is
tracing the outline of the thing's nature over and over
again, and one is
merely tracing round the frame through which we look at it.’
one is merely putting a proposal – a proposal – open to
question – open to doubt – and uncertain
113. ‘"But this is how it is————" I say to
myself over and over
again. I feel as though, if only I could fix my gaze absolutely
sharply
on this fact, get it in focus, I must grasp the essence of
the matter.’
‘But this is how it is –’ – and saying this ‘over and
over again’ – fixing one’s gaze ‘absolutely sharply on this fact’ – getting it
in focus –
all this strikes me as the futile attempt at certainty
there is no ‘essence’ of the matter –
what there is – is propositional uncertainty
115. ‘A. picture held us captive. And we could not get
outside it, for
it lay in our language and language seemed to repeat it to
us inexorably.’
inexorably? – perhaps it’s time to get yourself checked
a picture is a proposal – open to question – open to doubt –
and uncertain
116. ‘‘When philosophers use a word—"knowledge",
"being",
"object", "I", "proposition",
"name"—and try to grasp the essence
of the thing, one must always ask oneself: is the word ever
actually
used in this way in the language-game which is its original
home?—
What we do is to bring words back from their metaphysical to
their
everyday use.’
there is no ‘original home’ – of any word – no
essence
a word has various uses in various propositional contexts –
a metaphysical use – is just one use – an ‘everyday use’ –
another
any use – any word – is open to question – open to doubt –
and uncertain
117. ‘You say to me: "You understand this expression,
don't
you? Well then—I am using it in the sense you are familiar
with."—
As if the sense were an atmosphere accompanying the word,
which it
carried with it into every kind of application.
If, for example, someone says that the sentence "This
is here"
(saying which he points to an object in front of him) makes
sense to
him, then he should ask himself in what special
circumstances this
sentence is actually used. There it does make sense.’
‘You say to me: "You understand this expression, don't
you? Well then—I am using it in the sense you are familiar with."’
here ‘understanding’ – is assumed – ‘familiar sense’
is assumed – and that is what happens all the time – we run with these
assumptions
the point is we don’t know for sure – if there is understanding
– or if the expression has a sense that is familiar –
these assumptions are open to question – open to doubt – and
are indeed – uncertain –
still we make them – and we operate with them –
that is to say we operate in and with uncertainty
and as for ‘special circumstances’ – what is this supposed
to mean?
if a proposal ‘makes sense’ to someone – so be it –
as to what this amounts to – well that is open to question –
open to doubt – and uncertain
118. ‘Where does our investigation get its importance from,
since
it seems only to destroy everything interesting, that is,
all that is great
and important? (As it were all the buildings, leaving behind
only bits
of stone and rubble.) What we are destroying is nothing but
houses of
cards and we are clearing up the ground of language on which
they
stand.’
‘all that is great and important? – says who?
‘the buildings’ – by this I assume Wittgenstein means various
propositional constructions
a genuine investigation – is a critical investigation
and a genuine critical investigation – is not a destructive
act – it is an exploratory action
‘the ground of language on which they stand’ –
any propositional construction – doesn’t ‘stand’ on language
– it is a construction of language
and as I see it – any propositional construction has a place
and any propositional construction – including the ones
Wittgenstein wants to destroy – are open to question – open to doubt and
uncertain
119. ‘The results of philosophy are the uncovering of one or
another
piece of plain nonsense and of bumps that the understanding
has got by running its head up against the limits of
language.
These bumps make us see the value of the discovery.’
the philosophical process is the critical process of
question – of doubt – and the exploration of propositional uncertainty –
philosophy has no ‘results’ –
any so called ‘result’ – is open to question – open to doubt
and uncertain
and by the way – what is plain nonsense to one philosopher
is wisdom to another
our understanding – is open to question –
and as for the ‘limits of language’ –
any proposed ‘limit of language’ – is open to question –
open to doubt – and uncertain
so called ‘bumps’ in the understanding – will be those
proposals – those propositions – which have not been put to question – put to
doubt – and are regarded as certain –
these ‘bumps’ – when put to question – make us see the value
of critical thinking –
and this is the discovery we operate with and that we
explore in philosophical analysis
120. ‘When I talk about language (words, sentences, etc.) I
must
speak the language of every day. Is this language somehow
too coarse
and material for what we want to say? Then how is another
one to be
constructed?—And how strange that we should be able
to do anything
at all with the one we have!
In giving explanations I already have to use language full-blown
(not some sort of preparatory, provisional one); this by itself
shews
that I can adduce only exterior facts about language.
Yes, but then how can these explanations satisfy us?—Well, your
very questions were framed in this language; they had to be
expressed
in this language, if there was anything to ask!
And your scruples are misunderstandings.
Your questions refer to words; so I have to talk about
words.
You say: the point isn't the word, but its meaning, and you
think of
the meaning as a thing of the same kind as the word, though also
different from the word. Here the word, there the meaning. The
money, and the cow that you can buy with it. (But contrast:
money,
and its use.)’
any language that we use – ‘everyday’ or otherwise – is
sound – if put to question – put to doubt – and regarded as logically –
uncertain
so called ‘exterior facts about language’ – are proposals –
open to question
any explanation of a language use is open to question – and any
claim of ‘satisfaction’ – likewise
‘And your scruples are misunderstandings’ –
there are no ‘misunderstandings’ – rather there are different
proposals put –
different proposal – open to question
our ‘scruples’ – that is our questions – our doubts – our uncertainties
– just are – what makes for understanding
questions refer to proposals – so yes – you have to
critically investigate proposals
I say the point is the proposal –
‘Here the word, there the meaning’?
the meaning is the proposed use of the word –
a proposal – open to question
121. ‘One might think: if philosophy speaks of the use of
the word
"philosophy" there must be a second-order
philosophy. But it is not
so: it is, rather, like the case of orthography, which deals
with the word
"orthography" among others without then being second-order.’
philosophy – or the word ‘philosophy’ – is a proposal – open
to question – open to doubt – and uncertain – that is all there is to it
orthography – is the
study of spelling – especially with reference to its correctness –
and the word ‘orthography’ will of course fall under its
purview
I think the notion of ‘second-order’ – philosophy or
whatever – is really just a propositional category of focus – which has
been proposed – presumably because for some – it is useful –
and as with any proposal – it is open to question
122. ‘A main source of our failure to understand is that we
do not
command a clear view of the use of our words.—Our
grammar is lacking in
this sort of perspicuity. A perspicuous representation
produces just
that understanding which consists in 'seeing connexions'.
Hence the
importance of finding and inventing intermediate cases.
The concept of a perspicuous representation is of fundamental
significance for us. It earmarks the form of account we
give, the
way we look at things. (Is this a 'Weltanschauung'?)’
‘a clear view of the use of our words’ –
logically speaking – the use of our words is not clear –
and yes – you can command a clear view – by imposing some
standard – and somehow or another enforcing it –
but doing this is superficial – and illogical –
grammar – is just such an imposition –
and any ‘grammar’ – as with the use it is designed to order
and control – is proposal –
open to question – open to doubt – and uncertain
perspicuity – is superficiality
and any ‘understanding’ produced by a ‘perspicuous
representation’ – is open to question
you see connections when you critically investigate
the use of words
the invention of ‘intermediate cases’ – is proposal – if it
is useful for some purpose – fair enough –
but any such propositional invention – is open to question
a ‘perspicuous representation’ – that gives us some propositional
structure – may well be useful
but we shouldn’t get too excited here –
‘the way we look at things’ – will be propositionally complex
– and at every point – open to question – open to doubt – and uncertain
we can propose 'Weltanschauung' – a world view – really on
the basis of anything
and any such proposal – is open to question – open to
open to doubt – and uncertain
123. ‘A philosophical problem has
the form: "I don't know my way about".’
where we have proposal – we have knowledge
and if I say ‘I don’t know my way about’ – I have put a
proposal –
this proposal – is something to work with – to put to
question – to put to doubt –
it’s uncertainty is there to be explored
124. ‘Philosophy may in no way interfere with the actual use
of
language; it can in the end only describe it.
For it cannot give it any foundation either.
It leaves everything as it is.
It also leaves mathematics as it is, and no mathematical
discovery
can advance it. A "leading problem of mathematical
logic" is for us
a problem of mathematics like any other.’
philosophy is a critical activity – the critical activity of
question – of doubt – of the exploration of propositional uncertainty –
philosophy is not description –
I mean how genuine is Wittgenstein?
his own work in philosophy – is not description
and by the way description – if is enlightened – involves –
question – doubt – and dealing with uncertainty
any critical approach to language will interfere with it
–
when we use language critically in any propositional context
– we interfere with it –
critical activity leaves nothing as it is
philosophy leaves nothing as it is
a critical approach to the propositions of mathematics – a
philosophical approach to mathematics
will open the propositions of mathematics – to question – to
doubt – to uncertainty
this is not leaving mathematics as it is
and no mathematical discovery can advance it? –
any discovery – that is any proposal – in any propositional
context – can be a basis for the advance of critical thinking
a ‘leading problem of mathematical logic’ is for us a problem
of mathematics like any other.’ –
here we have a proposal – open to question – open to
doubt – and uncertain
125. ‘It is the business of philosophy, not to resolve a contradiction
by means of a mathematical or logico-mathematical discovery,
but
to make it possible for us to get a clear view of the state
of mathematics
that troubles us: the state of affairs before the
contradiction is resolved.
(And this does not mean that one is sidestepping a
difficulty.)
The fundamental fact here is that we lay down rules, a
technique,
for a game, and that then when we follow the rules, things
do not
turn out as we had assumed. That we are therefore as it were
entangled
in our own rules.
This entanglement in our rules is what we want to understand
(i.e.
get a clear view of).
It throws light on our concept of meaning something. For in
those
cases things turn out otherwise than we had meant, foreseen.
That is
just what we say when, for example, a contradiction appears:
"I didn't
mean it like that."
The civil status of a contradiction, or its status in civil
life: there is
the philosophical problem.’
the business of ‘philosophy’ – if you want to give the name
‘philosophy’ to it – is critical analysis
–
critical analysis can take place in any propositional context
– and can be given any name
we can call it ‘philosophy’ – ‘science’ – ‘history’ – ‘politics’
– ‘literary criticism ’ –
etc. etc –
or in the case of everyday propositional exchange –
something like – ‘intelligent discussion’ – will do the trick
there will not be this ‘clear view’ – of anything – if by
clear view is meant a single view
what we can get is a critical view – a view that
takes into account different and conflicting views in a propositional situation
–
a clear view of the state of mathematics that troubles us –
will be a critical view –
a view that takes into account the different propositional approaches
to a problem in question–
and this will involve the critical propositional activities
of question – doubt – and the exploration of propositional uncertainties
any resolution of a contradiction will be the result of
critical activity –
you can call that ‘mathematical’ – you can call it
‘philosophical’ –
a critical activity – by any other name
mathematics is a form of rule-governed propositional action
– mathematics is a propositional game
and yes – where there is an entanglement of rules – the only
way to resolve this is to critically examine the rules in question – this will
be complex and involved –
decisions will have to be made – i.e. decisions as to which rule
models need to be modified – perhaps even dropped from consideration – but here
consequences beyond a specific problem will have to be assessed –
it is likely that new rules or new variations of rules –
will be proposed
and it may well be that the situation – is not readily
resolved –
and if so – how the unresolved state of affairs is to be interpreted will be
a critical issue – open to question
yes – the entanglement in our rules – is what we want to
understand – and we can only understand this critically – by subjecting
our rules – and rule models – to question and to doubt – and thus by exploring
the propositional uncertainty that is at the base of this (or any) rule-governed
propositional action
when we have rules that ‘work’ – and what this will mean –
is open to question –
we can play the game – and play without question – doubt or uncertainty
–
establishing those rules though is a critical activity
‘our concept of meaning something’?
we can forget about ‘meaning’ – and instead focus on – what
is proposed
if what you proposes is a contradiction – then logically speaking
you haven’t proposed anything at all –
to say ‘I didn’t mean it like that’ – is to say ‘I didn’t propose
that’ –
well in fact you did –
if in the case of a contradiction ‘I didn’t mean it like
that’ is to make any sense –
it has to be seen as the recognition that what was proposed
– is logically speaking – not a genuine proposal –
a contradiction – is not a genuine proposal – it is a fake
proposal – a dummy proposition
‘The civil status of a contradiction, or its status in civil
life: there is the philosophical problem.’
the logical reality is that with a contradiction – nothing
is proposed – there is no proposal
that there is no proposal – is not ‘the philosophical
problem’ –
you only have a ‘philosophical problem’ – a critical problem
– if a proposal is put – and it is put to question – put to doubt – and its
uncertainty is explored –
where there is no proposal – as in the case of a contradiction
– there is no problem
126. ‘Philosophy simply puts everything before us, and
neither
explains nor deduces anything.—Since everything lies open to
view
there is nothing to explain. For what is hidden, for
example, is of no
interest to us.
One might also give the name "philosophy" to what
is possible
before all new discoveries and inventions.’
what is before us – is what is proposed –
and what is proposed is open to question – is open to doubt
– and is uncertain
philosophy – or critical thing – puts what is proposed to question
– to doubt –
philosophy or critical thinking is the exploration of propositional
uncertainty
deduction and explanation are forms of proposal – open to
question
since what is proposed is open to view – it is open to question
– it is open to doubt – and is uncertain
what is – is what is proposed – there is nothing hidden
what is possible before all new discoveries and inventions –
is proposal
new discoveries – new inventions – are new proposals
there is nothing before that which is proposed
127. ‘The work of the philosopher consists in assembling
reminders
for a particular purpose.’
this a is really scraping the bottom of the barrel –
the fridge-magnet approach to philosophy
and if Wittgenstein really believed this – believed that
this is what he does as a philosopher – I think he would have given the game
away – a second time – or should have
I know he is big on the concept of the game – but philosophy
is not a game –
when you do philosophy – that is just when the games stop –
and if you don’t stop playing games – and you call what you
do ‘philosophy’ – you get found out – quick smart
‘assembling reminders for a particular purpose’ –
here’s a reminder –
philosophy is the critical activity of question – of doubt
– the exploration of propositional uncertainty
this critical activity is the source of our creativity –
this critical activity is the logic of our lives –
and the purpose of this critical activity – is knowledge –
the growth of knowledge –
for it is only through knowledge that we have a critical stake
in this world –
and we all need that
128. ‘If one tried to advance theses in philosophy,
it would never
be possible to debate them, because everyone would agree to
them.’
the history of philosophy defies this stupid statement –
as does any working philosophy department –
on empirical grounds you can toss this one
129. ‘The aspects of things that are most important for us
are
hidden because of their simplicity and familiarity. (One is
unable to
notice something—because it is always before one's eyes.)
The real
foundations of his enquiry do not strike a man at all. Unless
that fact
has at some time struck him.—And this means: we fail to be struck
by what, once seen, is most striking and most powerful.’
Wittgenstein’s argument is that ‘the aspects of things that
are most important’ – are hidden –
and that one is unable to notice what is before one’s eyes –
he goes on to say – the real foundations of his enquiry – do
not strike a man at all –
unless the fact has struck him –
so what’s important is what is hidden and you can’t see what
is in front of you –
and this means we fail to be struck – by what is most
striking
this is just obscurantist rubbish –
cut from the same cloth as the mysticism of the Tractatus
130. ‘Our clear and
simple language-games are not preparatory studies
for a future regularization of language—as it were first
approximations,
ignoring friction and air-resistance. The language-games are
rather set
up as objects of comparison which are meant to throw
light on the facts of
our language by way not only of similarities, but also of dissimilarities.’
as for language-games as ‘objects of comparison’ which ‘throw
light’ on our language by way of similarities and dissimilarities –
this is just vague waffle
games – ‘language-games’ – or games of any other description
– are rule-governed propositional exercises –
to know a game is to know its rules – to play a game is to
play in accordance with its rules
all that you learn from a language-game is its rules – is
rule-governed behaviour
and if the rules are not established – or are in dispute –
there is no game –
the establishment of a game – of its rules – can only be
dealt with critically –
and dealing with any dispute regarding the rules of a game –
or the relationship between the rules of different games – can only be dealt
with critically
that is to say – through question – through doubt – and the
critical exploration of the propositional uncertainty involved
games are a logical product – they are not the logical process
and while we do play propositional games in many propositional
contexts – the critical issues in our propositional lives – are not addressed
by language-games
the real work of propositional logic – is proposal – and its
critical evaluation –
games are not proposals – games are plays
131. ‘For we can avoid ineptness or emptiness in our
assertions
only by presenting the model as what it is, as an object of
comparison—
as, so to speak, a measuring-rod; not as a preconceived idea
to
which reality must correspond. (The dogmatism into which
we fall so
easily in doing philosophy.)’
yes – you can present your model – for comparison –
and your model – and the comparison – will be open to question
– open to doubt – and uncertain
132. ‘We want to establish an order in our knowledge of the
use
of language: an order with a particular end in view; one out
of many
possible orders; not the order. To this end we shall
constantly be
giving prominence to distinctions which our ordinary forms
of
language easily make us overlook. This may make it look as
if we
saw it as our task to reform language.
Such a reform for particular practical purposes, an
improvement in
our terminology designed to prevent misunderstandings in practice,
is perfectly possible. But these are not the cases we have to
do with.
The confusions which occupy us arise when language is like
an engine
idling, not when it is doing work.’
its not as if you can legislate language practise – language
practise occurs as it does –
to suggest that you can legislate is misguided and
pretentious
any knowledge of language use – is proposal –
proposal – open to question – open to doubt – and uncertain
changes in language practice can come from any quarter –
and some changes may be initiated with a particular end in
view –
just how any such changes actually fare – will depend on whether
and to what extent they are put to use –
as to any proposed distinctions that it is claimed our ordinary
forms of language overlook
you have to ask – if our ordinary language forms ‘overlook’
these distinctions – how relevant are they – how valid are they – how useful
are they?
and whether any such proposed distinctions prove to be of
value – to be of use – only time will tell
proposed changes in terminology may suit certain
propositional contexts and endeavours
and whether such changes are taken up – again – only time
will tell
in language use – we are not dealing with
‘misunderstandings’ – what we deal with is different usages
there are no ‘confusions’ in languages use –
what we deal with are propositional uncertainties
language idling?
any propositional action is language at work –
there is no idling
133. ‘It is not our aim to refine or complete the system of
rules for
the use of our words in unheard-of ways.
For the clarity that we are aiming at is indeed complete clarity.
But
this simply means that the philosophical problems should completely
disappear.
The real discovery is the one that makes me capable of stopping
doing philosophy when I want to.—The one that gives
philosophy
peace, so that it is no longer tormented by questions which
bring itself
in question.—Instead, we now demonstrate a method, by examples;
and the series of examples can be broken off.—Problems are
solved
(difficulties eliminated), not a single problem.
There is not a philosophical method, though there are
indeed
methods, like different therapies.’
‘It is not our aim to refine or complete the system of rules
for the use of our words in unheard-of ways.’
firstly – a system of rules – is a rule-governed
propositional system – a game –
you can turn any propositional activity into a game – just
set up whatever rules you want for the game – this is an arbitrary matter –
so yes you can and will have games with words in unheard of ways
– it’s a matter of invention
Wittgenstein wants the game model to be the logical model
for the investigation of language use
any investigation – is a critical evaluation of language use
–
the game model is not a critical model
when you play games – you play in accordance with the rules
– and in play the rules are not up for question –
a critical investigation of language use – of any
propositional action – involves putting whatever is proposed – to question – to
doubt – and exploring its uncertainty
the critical investigation – is the logical investigation
game playing is not in the picture
game playing is what you might do – as relief from the critical
investigation –
game playing is about having fun – not critically
investigating propositional use
Wittgenstein misapplies the game model – and in so doing
attempts to neuter logical investigation
‘For the clarity that we are aiming at is indeed complete
clarity. But this simply means that the philosophical problems should completely
disappear.’
for a start there is no ‘complete clarity’ in any propositional
use –
any proposal of clarity – is open to question – open to
doubt – and is uncertain – not complete
the idea that philosophical problems ‘should completely
disappear’ – is an argument for nihilism –
philosophical problems occur as a result of propositional
conflict –
propositional conflict is the natural human state
philosophical problems are not solved – they are explored
–
we explore with question and with doubt –
and what we explore is propositional uncertainty
if philosophical problems disappear – human beings disappear
‘The real discovery is the one that makes me capable of
stopping doing philosophy when I want to.—The one that gives philosophy peace,
so that it is no longer tormented by questions which bring itself in
question’
you can attempt to turn your back on question – on doubt –
and uncertainty –
that is you can attempt to turn your back on life –
you can attempt to find refuge in ignorance
it doesn’t work
‘Instead, we now demonstrate a method, by examples; and the
series of examples can be broken off.—Problems are solved (difficulties
eliminated), not a single problem.’
a method of examples –
examples are fine – but any example is open to question – open
to doubt – and is uncertain
a series of examples can be broken off – yes – and the
result is – the end of the series
problems are not solved –
logically speaking the critical
process of question – of doubt – and the exploration of uncertainty – is
on-going
if the critical process is stopped – the problem is stopped –
not solved
difficulties are not eliminated –
you can stop the process of question – of doubt – and the
exploration of uncertainty –
but stopping this process does not ‘eliminate’ a difficulty
– it disregards it – it avoids it
as to the claim of somehow solving problems (plural) – not
a single problem –
it suggests we cannot make sense of a problem (singular) –
and if so the notion of problems – plural – doesn’t get off
the ground
different therapies – are different ‘cures’ –
and every age has its charlatans
134. ‘Let us examine the proposition: "This is how things
are."—
How can I say that this is the general form of
propositions?—It is
first and foremost itself a proposition, an English
sentence, for it has
a subject and a predicate. But how is this sentence applied—that
is,
in our everyday language? For I got it from there and
nowhere else.
We may say, e.g.: "He explained his position to me,
said that this
was how things were, and that therefore he needed an
advance".
So far, then, one can say that that sentence stands for any
statement.
It is employed as a prepositional schema, but only because
it has the
construction of an English sentence. It would be possible to
say instead
"such and such is the case", "this is the situation",
and so on. It would
also be possible here simply to use a letter, a variable, as
in symbolic
logic. But no one is going to call the letter "p"
the general form of
propositions. To repeat: "This is how things are"
had that position
only because it is itself what one calls an English sentence.
But though
it is a proposition, still it gets employed as a
propositional variable.
To say that this proposition agrees (or does not agree) with
reality
would be obvious nonsense. Thus it illustrates the fact that
one feature
of our concept of a proposition is, sounding like a
proposition.’
‘This is how things are’ –
is a proposal – a proposal open to question – open to doubt
– and uncertain
I might put this proposition – this proposal – and you might
say – ‘it is not how things are’ – or ‘perhaps it is how things’
my point is – the proposal / proposition – is open to question
– open to doubt – and therefore – uncertain
and as for the general form of propositions –
the general for of the proposition – is the proposal –
which is to say any proposition – is a proposal
"He explained his position to me, said that this was how
things were, and that therefore he needed an advance". So far, then, one
can say that that sentence stands for any statement.’
the sentence is a proposal –
the sentence stands for itself – it doesn’t stand for ‘any statement’
– it is not any statement – it is a particular statement – a particular
proposal
‘such and such is the case’ – ‘this is the situation’ – are
proposals
‘It would also be possible here simply to use a letter, a
variable, as in symbolic
logic. But no one is going to call the letter "p"
the general form of propositions.’
symbolic logic is a rule-governed propositional game –
propositions in symbolic logic – i.e. – ‘p’ – are tokens in the
game
the rules of the game are the rules of truth functional
analysis –
you play the game in terms of truth values and their
combinations –
‘true’ and ‘false’ – in such a game – are game plays
propositional games – neither agree or disagree with reality
– they are simply games played
tokens in propositions i.e. – ‘p’ – are not proposals – they
do not propose –
their function is play
‘Thus it illustrates the fact that one feature of our
concept of a proposition is, sounding like a proposition.’ –
what does a proposition sound like?
135. ‘But haven't we got a concept of what a proposition is,
of what
we take "proposition" to mean?—Yes; just as we
also have a concept
of what we mean by "game". Asked what a proposition
is—whether
it is another person or ourselves that we have to answer—we
shall
give examples and these will include what one may call inductively
defined series of propositions. This is the kind of way in
which we
have such a concept as 'proposition'. (Compare the concept
of a
proposition with the concept of number.)’
the ‘concept’ of a proposition – examples – inductively defined
–
any concept put – is a proposal – any example given – is a
proposal – induction – is a proposal – definition – a proposal –
the real point here is that any definition of the proposition
– including this one given by Wittgenstein –
is a proposal – a proposal – open to question – open to
doubt – and uncertain
the same applies to number –
any definition of the number is a proposal – open to
question – open to doubt and uncertain
136. ‘At bottom, giving "This is how things are"
as the general
form of propositions is the same as giving the definition: a
proposition
is whatever can be true or false. For instead of "This
is how things
are" I could have said "This is true". (Or
again "This is false".)
But we have
'p' is true = p
'p' is false = not-p.
And to say that a proposition is whatever can be true or
false
amounts to saying: we call something a proposition when in
our
language we apply the calculus of truth functions to
it.
Now it looks as if the definition—a proposition is whatever
can be
true or false—determined what a proposition was, by saying:
what fits
the concept 'true', or what the concept 'true' fits, is a
proposition.
So it is as if we had a concept of true and false, which we
could use
to determine what is and what is not a proposition. What engages
with
the concept of truth (as with a cogwheel), is a proposition.
But this is a bad picture. It is as if one were to say
"The king in
chess is the piece that one can check." But this can
mean no more than
that in our game of chess we only check the king. Just as the
proposition
that only a proposition can be true or false can say
no more than
that we only predicate "true" and
"false" of what we call a proposition.
And what a proposition is is in one sense determined by the
rules of sentence formation (in English for example), and in
another
sense by the use of the sign in the language-game. And the
use of the
words "true" and "false" may be among
the constituent parts of this
game; and if so it belongs to our concept 'proposition'
but does not
'fit’ it. As we might also say, check belongs to
our concept of the king
in chess (as so to speak a constituent part of it). To say
that check did
not fit our concept of the pawns, would mean that a game in
which
pawns were checked, in which, say, the players who lost their
pawns
lost, would be uninteresting or stupid or too complicated or
something
of the kind.’
a proposition is a proposal – whether true or false –
or undecided
a proposition is true if affirmed –
a proposition is false – if denied –
affirmation and denial are propositional actions – in
relation to a proposition
any propositional action of affirmation – or denial – is a
proposal – open to question – open to doubt and uncertain –
just as the action of withholding assent or dissent – of regarding
the proposition as undecided – is a proposal – open to question – open to doubt
– and uncertain
and by proposition here I mean any kind of proposal – be that
a proposal in our spoken or written language – or a proposal of some other form
–
i.e. – we can regard a physical object as a proposal
– a proposal open to question
we can regard a piece of music – or any other artistic
creation – as a proposal – as open to question –
whatever is proposed – however it is proposed
– is a proposition
formal logic is a rule-governed propositional game
the ‘propositions’ so called in formal logic – are game tokens
the rules of the game are the rules of truth functional
analysis –
‘true’ and ‘false’ – in such a game – are moves in the game
– game plays
to have a game where pawns are checked – would be to have a
different game to what is known as chess – it would be to operate with
different rules
137. ‘What about learning to determine the subject of a sentence
by
means of the question "Who or what . . . .?"—Here,
surely, there is
such a thing as the subject's 'fitting' this question; for
otherwise how
should we find out what the subject was by means of the
question?
We find it out much as we find out which letter of the alphabet
comes
after 'K' by saying the alphabet up to 'K' to ourselves. Now
in what
sense does 'L' fit on to this series of letters?—In that sense
"true" and
"false" could be said to fit propositions; and a
child might be taught
to distinguish between propositions and other expressions by
being
told "Ask yourself if you can say 'is true' after it.
If these words fit,
it's a proposition." (And in the same way one might
have said: Ask
yourself if you can put the words “This is how things
are:" in front
of it.)’
if a state of affairs is proposed
– you have a proposition
and yes you can respond to any proposal – with ‘is true’ –
‘is false’ – or not respond –
which is effectively to say – ‘I don’t know if it is true or
if it is false’
as to – ‘this is
how things stand’ –
if a state of affairs is proposed – ‘this is how things stand’ – will be to effectively restate – or
reformulate the proposal –
‘this is how
things stand’ – is a proposal – and one that needs a bit of filling out
any proposal be it a primary proposal – or a response to a
primary proposal (‘true’ ‘false’ ‘undecided’) – is open to question – open to
doubt – and uncertain
and a proposal can be put – of course – without any response
to it –
how we respond – or can respond to a proposal – does not
determine whether it is a proposal – whether it is a proposition
138. ‘But can't the meaning of a word that I understand fit the
sense of a sentence that I understand? Or the meaning of one
word
fit the meaning of another?——Of course, if the meaning is
the use we
make of the word, it makes no sense to speak of such 'fitting.'
But
we understand the meaning of a word when we hear or say
it; we grasp
it in a flash, and what we grasp in this way is surely
something different
from the 'use' which is extended in time!’
‘we grasp it in a flash, and what we grasp in this way is
surely something different
from the 'use' which is extended in time!’
let us say we grasp a meaning in a flash
the ‘flash’ here is what causes the problem – the immediacy
meaning – is never settled – meaning is uncertain –
‘meaning’ – a flash – or extended in time – is open to
question – open to doubt – and is uncertain
---------------------------------------------------------------------------------------------------
‘Must I know whether I understand a word? Don't I also sometimes
imagine myself to understand a word (as I may imagine I
understand
a kind of calculation) and then realize that I did not
understand it?
("I thought I knew what 'relative' and 'absolute' motion
meant, but
I see that I don’t know’)’
knowledge is proposal –
any claim of knowledge – is open to question – open to doubt
–
knowledge is uncertain
139. ‘When someone says the word "cube" to me, for
example,
I know what it means. But can the whole use of the word come
before
my mind, when I understand it in this way?
Well, but on the other hand isn't the meaning of the word
also
determined by this use? And can these ways of determining
meaning
conflict? Can what we grasp in a flash accord with a
use, fit or fail to
fit it? And how can what is present to us in an instant,
what comes
before our mind in an instant, fit a use"?
What really comes before our mind when we understand
a word?—
Isn't it something like a picture? Can't it be a picture?
Well, suppose that a picture does come before your mind when
you
hear the word "cube", say the drawing of a cube.
In what sense can
this picture fit or fail to fit a use of the word "cube"?—Perhaps
you
say: "It's quite simple;—if that picture occurs to me
and I point to
a triangular prism for instance, and say it is a cube, then
this use of the
word doesn't fit the picture."—But doesn't it fit? I
have purposely
so chosen the example that it is quite easy to imagine a method
of
projection according to which the picture does fit after
all.
The picture of the cube did indeed suggest a certain use
to us, but
it was possible for me to use it differently.’
‘But can the whole use of the word come before my mind, when
I understand it in this way?’
if by ‘whole use’ – you mean every way the word has been and
is used – unless you are a lexicographer – no – and even a lexicographer –
could not be sure
and if by whole use you mean every way the word might be
used in the future – obviously no
if we had to know the whole use of word in order to use it –
no word would be used –
‘Well, but on the other hand isn't the meaning of the word
also determined by this use? And can these ways of determining meaning
conflict?’
different uses – different meanings
‘Can what we grasp in a flash accord with a use, fit
or fail to fit it? And how can what is present to us in an instant, what comes
before our mind in an instant, fit a use"?’
what we grasp in a flash might be right on the money in
terms of a proposed use –
or it may miss the mark
here we are talking context – and what fits a propositional
context
and also – a proposed meaning may not fit a propositional
context – it may alter or change the context – and it is possible that such a
change of context – as a result of the change of meaning – proves more useful?
in any case – any proposed meaning – flash or otherwise – is
up for grabs – open to question – open to doubt – and uncertain
‘What really comes before our mind when we understand
a word?— Isn't it something like a picture? Can't it be a picture?’
any understanding is a proposal – a proposal – open to question
– open to doubt – and uncertain
can it be a picture?
a picture is a proposal.
‘The picture of the cube did indeed suggest a certain
use to us, but it was possible for me to use it differently.’
yes – and any use – different or otherwise – is a proposal –
open to question – open to doubt – and uncertain
______________________________________________________________
‘(a) "I believe the right word in this case is
... .". Doesn't this
shew that the meaning of a word is a something that comes
before our
mind, and which is, as it were, the exact picture we want to
use here?
Suppose I were choosing between the words
"imposing", "dignified",
"proud", "venerable"; isn't it as though
I were choosing between
drawings in a portfolio?—No: the fact that one speaks of the
appropriate
word does not shew the existence of a something that etc..
One is
inclined, rather, to speak of this picture-like something just
because
one can find a word appropriate; because one often chooses
between
words as between similar but not identical pictures; because
pictures
are often used instead of words, or to illustrate words; and
so on.
(b) I see a picture; it represents an old man walking
up a steep
path leaning on a stick.—How? Might it not have looked just
the same
if he had been sliding downhill in that position? Perhaps a
Martian
would describe the picture so. I do not need to explain why
we do not
describe it so.’
"I believe the right word in this case is ... ." –
is a proposal –
what propositional packaging you give this proposal – will
be a matter of custom – a matter of linguistic fashion
‘comes before our mind’ – is an example of one such
propositional packaging
the proposal – and any propositional packaging proposed for
it –
is open to question – open to doubt – and is uncertain
a picture is a proposal – and as with any proposal – open to
question – that is the point – being open to question
so if the question is put – why don’t you describe it this
way?
you can give an answer if you want – or you can decline to give
an answer
140. ‘Then what sort of mistake did I make; was it what we
should
like to express by saying: I should have thought the picture
forced a
particular use on me? How could I think that? What did I
think? Is
there such a thing as a picture, or something like a
picture, that forces
a particular application on us; so that my mistake lay in
confusing one
picture with another?—For we might also be inclined to express
ourselves like this: we are at most under a psychological,
not a logical,
compulsion. And now it looks quite as if we knew of two
kinds of
case.
What was the effect of my argument? It called our attention
to
(reminded us of) the fact that there are other processes,
besides the one
we originally thought of, which we should sometimes be prepared
to
call "applying the picture of a cube". So our
'belief that the picture
forced a particular application upon us' consisted in the
fact that only
the one case and no other occurred to us. "There is
another solution
as well" means: there is something else that I am also
prepared to call
a "solution"; to which I am prepared to apply
such-and-such a picture,
such-and-such an analogy, and so on.
What is essential is to see that the same thing can come
before our
minds when we hear the word and the application still be
different.
Has it the same meaning both times? I think we shall say
not.’
there is no compulsion – psychological or logical
a picture doesn’t force a particular application on us
a picture is a proposal – open to question – open to doubt –
and uncertain
you can accept the proposal – or not –
and any decision of acceptance or rejection – is open to
question
you can compare it with other pictures – other proposals –
and any decision regarding which proposal to accept – or to reject
–
is like the proposals in question – logically speaking
uncertain
and if it is logically uncertain – it is psychologically
uncertain
there are no logical solutions –
and any pragmatic solution – that is the decision to proceed
with a particular picture / proposition – is open to question – open to doubt –
and is – even as you proceed with it – uncertain
any proposal is open to question –
has it the same meaning at different times?
any answer to this question
– is open to question – open to doubt – and is uncertain
141. ‘Suppose, however, that not merely the picture of the
cube,
but also the method of projection comes before our
mind?——How
am I to imagine this?—Perhaps I see before me a schema
shewing the
method of projection: say a picture of two cubes connected
by lines
of projection.—But does this really get me any further? Can't
I now
imagine different applications of this schema too?——Well,
yes, but
then can't an application come before my mind?—It
can: only we need to
get clearer about our application of this expression. Suppose
I explain
various methods of projection to someone so that he may go on
to
apply them; let us ask ourselves when we should say that the
method
that I intend comes before his mind.
Now clearly we accept two different kinds of criteria for
this:
on the one hand the picture (of whatever kind) that at some
time or
other comes before his mind; on the other, the application
which—in
the course of time—he makes of what he imagines. (And can't
it be
clearly seen here that it is absolutely inessential for the
picture to exist
in his imagination rather than as a drawing or model in front
of him;
or again as something that he himself constructs as a model?)
Can there be a collision between picture and application?
There can,
inasmuch as the picture makes us expect a different use,
because people
in general apply this picture like this.
I want to say: we have here a normal case, and abnormal
cases.’
‘Suppose I explain various methods of projection to someone
so that he may go on to
apply them; let us ask ourselves when we should say that the
method that I intend comes before his mind.’
when he says it does – when he proposes it – otherwise – we
don’t know
‘(And can't it be clearly seen here that it is absolutely
inessential for the picture to exist
in his imagination rather than as a drawing or model in
front of him; or again as something that he himself constructs as a model?)’
however the proposal – the proposition – is put – if it is
put – is all that concerns us
‘Can there be a collision between picture and application?
There can, inasmuch as the picture makes us expect a different use, because
people in general apply this picture like this.
I want to say: we have here a normal case, and abnormal
cases.’
what we have is different proposals – different
kinds of proposals – and different expectations in relation to the different
proposals
142. ‘It is only in normal cases that the use of a word is
clearly
prescribed; we know, are in no doubt, what to say in this or
that case.
The more abnormal the case, the more doubtful it becomes
what
we are to say. And if things were quite different from what
they
actually are——if there were for instance no characteristic
expression
of pain, of fear, of joy; if rule became exception and
exception rule;
or if both became phenomena of roughly equal frequency——this
would
make our normal language-games lose their point.—The
procedure of
putting a lump of cheese on a balance and fixing the price by
the
turn of the scale would lose its point if it frequently happened
for
such lumps to suddenly grow or shrink for no obvious reason.
This remark will become clearer when we discuss such things
as the
relation of expression to feeling, and similar topics.’
‘It is only in normal cases that the use of a word is clearly
prescribed; we know, are in no doubt, what to say in this or that case.’
we are in no doubt – if we do not question – if we do not
explore the propositional uncertainty in what is prescribed
what we know – is open to question – open to doubt –
our knowledge is uncertain
we can pretend there is no question – no doubt – no uncertainty
this pretence is illogical – and ignorant
‘The more abnormal the case, the more doubtful it becomes what
we are to say.’
we are not dealing with the abnormal – what we deal with
here – is propositional difference –
different proposals
‘And if things were quite different from what they actually
are’
how things actually are – is what is proposed – and what is
proposed – is open to question – open to doubt –
‘how things actually are’ – is uncertain
‘if there were for instance no characteristic expression of
pain, of fear, of joy; if rule became exception and exception rule; or if both
became phenomena of roughly equal frequency——this would make our normal language-games
lose their point’
if there is no characteristic expression – all this means is
that the state of affairs has been proposed in an uncharacteristic manner
it is not that our ‘language-games’ lose their point
it is rather that alternative proposal are required – or come
into play –
and in any case there are no language-games here –
what we have is proposal – not rule-governed propositional
action – proposal – open to question – open to doubt – and uncertain
‘The procedure of putting a lump of cheese on a balance and
fixing the price by the
turn of the scale would lose its point if it frequently
happened for such lumps to suddenly grow or shrink for no obvious reason.’
if lumps of cheese frequently grew and shrank for no obvious
reason – and we wanted to weigh them and determine their price – when this
occurred – we would have to devise – we would have to propose – a different
method of determining their value –
however when they didn’t grow or shrink – the method of
putting a lump of cheese on a balance and fixing the price by the turn of the scale
– would still be of use – it would not lose its point –
how we do what we do – is always a matter of question – of
doubt – of uncertainty – even when what we do is – or has become – common
practise
so called ‘normality’ – does render logic invalid
143. ‘Let us now examine the following kind of language-game:
when A gives an order B has to write down series of signs
according
to a certain formation rule.
The first of these series is meant to be that of the natural
numbers in
decimal notation.—How does he get to understand this
notation?—
First of all series of numbers will be written down for him
and he will
be required to copy them. (Do not balk at the expression
"series of
numbers"; it is not being used wrongly here.) And here
already there
is a normal and an abnormal learner's reaction.—At first
perhaps we
guide his hand in writing out the series 0 to 9; but then
the possibility
of getting him to understand will depend on his going
on to write
it down independently.—And here we can imagine, e.g., that
he
does copy the figures independently, but not in the right
order:
he writes sometimes one sometimes another at random. And
then
communication stops at that point.—Or again, he makes
'mistakes’
in the order.—The difference between this and the first case
will of
course be one of frequency.—Or he makes a systematic
mistake; for
example, he copies every other number, or he copies the series
0, 1, 2,
3, 4, 5, .... like this: 1, 0, 3, 2, 5, 4, ..... Here we
shall almost be
tempted to say that he has understood wrong.
Notice, however, that there is no sharp distinction between a
random
mistake and a systematic one. That is, between what you are inclined
to call "random" and what "systematic".
Perhaps it is possible to wean him from the systematic mistake
(as
from a bad habit). Or perhaps one accepts his way of copying
and
tries to teach him ours as an offshoot, a variant of his.—And
here too
our pupil's capacity to learn may come to an end.’
‘Let us now examine the following kind of language-game:
when A gives an order B has to write down series of signs according to a certain
formation rule.’
yes – what we have here is a rule-governed propositional
game –
and in order to play the game – you follow the rule –
the rule is not up for question
you either follow the rule – or there is no game
‘And here we can imagine, e.g., that he does copy the
figures independently, but not in the right order: he writes sometimes one
sometimes another at random. And then
communication stops at that point.—Or again, he makes
'mistakes’ in the order.’
communication – doesn’t stop –
what would be communicated is that he is not playing the
game
there are no ‘mistakes’ in a rule-governed propositional
game –
you play the game – or you don’t
‘The difference between this and the first case will of
course be one of frequency.—Or he makes a systematic mistake; for
example, he copies every other number, or he copies the series 0, 1, 2, 3, 4,
5, .... like this: 1, 0, 3, 2, 5, 4, ..... Here we shall almost be tempted to
say that he has understood wrong.’
what he has not understood is the game – the logic of the
game –
‘Perhaps it is possible to wean him from the systematic
mistake (as from a bad habit). Or perhaps one accepts his way of copying and
tries to teach him ours as an offshoot, a variant of his.—And here too our pupil's
capacity to learn may come to an end.’
there is no mistake – systematic or otherwise – and no ‘bad
habit’ –
the fact is he doesn’t understand what a game means – or for
some reason or another – he can’t follow rules
‘What we have to mention in order to explain the significance,
I mean the importance, of a concept, are often extremely general
facts
of nature: such facts as are hardly ever mentioned because
of their
great generality.’
if ‘extremely general facts of nature’ are not mentioned where
they are relevant – then any explanation that involves them – is no explanation
at all –
and it is not just a matter of ‘mentioning’ them – any
genuine investigation of a concept – that is of a proposal – will involve
putting it to question – to doubt – and exploring their uncertainty
proposals of ‘great generality’ – are a field of
propositional uncertainty
144. ‘What do I mean when I say "the pupil's capacity
to learn may
come to an end here"? Do I say this from my own experience?
Of
course not. (Even if I have had such experience.) Then what am
I
doing with that proposition? Well, I should like you to say:
"Yes,
it's true, you can imagine that too, that might happen
too!"—But was
I trying to draw someone's attention to the fact that he is
capable of
imagining that?——I wanted to put that picture before him,
and his
acceptance of the picture consists in his now being
inclined to regard a
given case differently: that is, to compare it with this rather
than that
set of pictures. I have changed his way of looking at
things. (Indian
mathematicians: "Look at this.")’
this is not about ‘changing his way of looking at things’ –
‘look at this’ – is not the point –
the question is – does the pupil understand the concept of
the game?
does he understand the concept of the rule?
can he follow a rule – and thus play a game?
145. ‘Suppose the pupil now writes the series 0 to 9 to our
satisfaction.—
And this will only be the case when he is often successful, not
if
he does it right once in a hundred attempts. Now I continue
the series
and draw his attention to the recurrence of the first series
in the units;
and then to its recurrence in the tens. (Which only means
that I use
particular emphases, underline figures, write them one under
another
in such-and-such ways, and similar things.)—And now at some
point he continues the series independently—or he does
not.—But
why do you say that? so much is obvious!—Of course; I
only
wished to say: the effect of any further explanation
depends on his
reaction.
Now, however, let us suppose that after some efforts on the
teacher's
part he continues the series correctly, that is, as we do
it. So now we
can say he has mastered the system.—But how far need he continue
the series for us to have the right to say that? Clearly you
cannot state
a limit here.’
if he learns to play the game – he learns to play the game
146. ‘Suppose I now ask: "Has he understood the system
when he
continues the series to the hundredth place?" Or—if I
should not
speak of 'understanding' in connection with our primitive
language-
game: Has he got the system, if he continues the series
correctly so
far?—Perhaps you will say here: to have got the system (or,
again, to
understand it) can't consist in continuing the series up to this
or that
number: that is only applying one's understanding. The understanding
itself is a state which is the source of the correct use.
What is one really thinking of here? Isn't one thinking of
the
derivation of a series from its algebraic formula? Or at
least of
something analogous?—But this is where we were before. The
point is,
we can think of more than one application of an algebraic formula;
and every type of application can in turn be formulated algebraically;
but naturally this does not get us any further.—The application
is still
a criterion of understanding.’
‘Suppose I now ask: "Has he understood the system when he
continues the series to the hundredth place?" Or—if I should not speak of
'understanding' in connection with our primitive language-game: Has he got the
system, if he continues the series correctly so far?’
what ‘understanding it’ amounts to here – is really open to question
–
what we can say is that he can play the game – and
that’s all we need to say
‘What is one really thinking of here?’ –
again any answer to this question is open to question – open
to doubt – and is uncertain –
and I would say logically irrelevant
what is logically relevant is that he demonstrates that he can
perform this rule-governed action –
how you account for that – is neither here nor there – it’s
a philosophical sideshow
147. ‘"But how can it be? When I say I
understand the rule of a
series, I am surely not saying so because I have found
out that up to now
I have applied the algebraic formula in such-and-such a way!
In my
own case at all events I surely know that I mean
such-and-such a
series; it doesn't matter how far I have actually developed
it."—
Your idea, then, is that you know the application of the
rule of the
series quite apart from remembering actual applications to
particular
numbers. And you will perhaps say: "Of course! For the
series is
infinite and the bit of it that I can have developed
finite."’
the rule is the series – played out
and another way of saying ‘it doesn’t matter how far I have
actually developed it’ –
is to say –
‘"Of course! For
the series is infinite and the bit of it that I can have developed
finite."’
here you have to be clear on just what the rule is
if the rule of the series is that the series as played out is
finite – and finite to a specific number – then the series is finite – the game
is not on-going – it has an end point
if the rule of the series is that the series as played out
is infinite – then the series is infinite – the game is on-going – it has no end
point
148. ‘But what does this knowledge consist in? Let me ask:
When
do you know that application? Always? day and night? or only
when you are actually thinking of the rule? do you know it,
that is,
in the same way as you know the alphabet and the multiplication
table?
Or is what you call "knowledge" a state of consciousness
or a process—
say a thought of something, or the like?’
the rule is a proposal –
a proposal for a propositional game
you know the application of the rule – when you see how it
is applied
being able to recite the alphabet and being able to multiply
– are rule-governed propositional actions
you know how to perform these actions when you see how the
rules governing them are applied
knowledge is proposal –
any explanation of
proposal – of knowledge –
i.e. – knowledge as a state of consciousness – or knowledge
as a process – or knowledge as a thought – etc. etc. –
is a proposal
a proposal – open to question – open to doubt – and
uncertain –
we propose in relation to proposals
our proposals are uncertain
our knowledge is uncertain
149. ‘If one says that knowing the ABC is a state of the
mind,
one is thinking of a state of a mental apparatus (perhaps of
the brain)
by means of which we explain the manifestations of
that knowledge.
Such a state is called a disposition. But there are
objections to speaking
of a state of the mind here, inasmuch as there ought to be
two different
criteria for such a state: a knowledge of the construction
of the apparatus,
quite apart from what it does. (Nothing would be more confusing
here than to use the words "conscious" and
"unconscious" for the
contrast between states of consciousness and dispositions.
For this
pair of terms covers up a grammatical difference.)’
knowing the ABC is playing the alphabet game –
it is the action of this propositional game that is the
knowing
explanation of being able to play the game – is not a rule-governed
propositional game – it is a critical issue
and here what you will have is different proposal put – to
account for being able to play the game –
these proposals will be open to question – open to doubt –
and uncertain
exploring the critical issues here – is logically a
different matter to playing the game
150. ‘‘The grammar of the word "knows" is
evidently closely
related to that of "can", "is able to". But
also closely related to that
of "understands". ('Mastery' of a technique,)’’
what we have with the word ‘knows’ – is a proposal –
a proposal open to question – open to doubt – and uncertain
it the propositional uncertainty of the word – that is
it logical grammar
and it is the propositional uncertainty of the word – that
enables – or accounts for Wittgenstein’s proposal here – that the word ‘knows’ is ‘evidently closely
related to’ that of ‘can’ – ‘is able to’ – and ‘understands’
the ‘technique’ that we need to master – is critical thinking
151. ‘But there is also this use of the word "to
know": we say
'"Now I know!"—and similarly "Now I can do
it!" and "Now I
understand!"
‘Let us imagine the following example: A writes series of
numbers
down; B watches him and tries to find a law for the sequence
of
numbers. lf he succeeds he exclaims: "Now I can go on!"——So
this
capacity, this understanding, is something that makes its appearance
in
a moment. So let us try and see what it is that makes its
appearance
here.—A has written down the numbers 1, 5, 11, 19, 29; at
this point
B says he knows how to go on. What happened here? Various
things
may have happened; for example, while A was slowly putting
one
number after another, B was occupied with trying various
algebraic
formulae on the numbers which had been written down. After A
had
written the number 19 B tried the formula an — an = n2 + n - 1; and the
next number confirmed his hypothesis.
(a) "Understanding a word": a state. But a mental
state?—Depression,
excitement, pain, are called mental states. Carry out a
grammatical
investigation as follows: we say
"He was depressed the whole day".
"He was in great excitement the whole day"."
He has been in continuous pain since yesterday".—
We also say "Since yesterday I have understood this word".
"Continuously", though?—To be sure, one can speak of an interruption of
understanding.
But in what cases? Compare: "When did your pains get
less?" and "When
did you stop understanding that word?"
(b) Suppose it were asked: "When do you know how
to play chess?
All the time? or just while you are making a move? And the whole
of
chess during each move?—How queer that knowing how to play
chess should take such a short time, and a game so much
longer!
Or again, B does not think of formulae. He watches A writing
his
numbers down with a certain feeling of tension, and all sorts
of vague
thoughts go through his head. Finally he asks himself:
"What is the
series of differences?" He finds the series 4, 6, 8, 10
and says: Now I
can go on.
Or he watches and says "Yes, I know that
series"—and continues it,
just as he would have done if A had written down the series
1, 3, 5, 7, 9.
—Or he says nothing at all and simply continues the series.
Perhaps
he had what may be called the sensation "that's
easy!". (Such a sensation
is, for example, that
of a light quick intake of breath, as when
one is slightly startled.)’
‘to know’ – is to propose
saying ‘now I know’ – ‘now I can do it!’ – ‘now I
understand!’ – are proposals –
and as with any proposal –
open to question – open to doubt – and uncertain
‘So this capacity, this understanding, is something that
makes its appearance in
a moment. So let us try and see what it is that makes its
appearance here’
what makes its appearance is a rule –
and how we account for the rule – for ‘the appearance’ – is
open to question – open to doubt – and uncertain
‘(a) "Understanding a word": a state. But a mental
state?— …
"He was depressed the whole day".
"He was in great excitement the whole day"."
He has been in continuous pain since yesterday".’
a mental state is a proposal – open to question – ask any
working psychologist
‘continuously’ – is open to question – open to interpretation
– it is a question of how the word is used
‘(b) Suppose it were asked: "When do you know how
to play chess?’
knowing the rule of a game – is as with any knowing – is a contingency
you know how to play chess when you are making a move – but you
know how to play chess so long as you know the rules of the game –
you can forget – you can get rusty – or you might need to
improve your knowledge of the rules
‘Or again, B does not think of formulae’ –
ok – he sees the rule of the game –
and how we account for this is open to question –
also it is important to realise that we may not be able to
account for it to our satisfaction
however if we keep and open mind and employ a critical
intelligence – we can explore the issues involved –
proposals will be forthcoming –
and we will work with whatever we think best suits our
purpose –
recognizing that any decision here – is open to question
152. ‘But are the processes which I have described here understanding!"
“B understands the principle of the series" surely doesn't
mean
simply: the formula "an
=...." occurs to B. For it is perfectly
imaginable that the formula should occur to him and that he
should
nevertheless not understand. "He understands" must
have more in it
than: the formula occurs to him. And equally, more than any of
those
more or less characteristic accompaniments or
manifestations of
understanding.’
what is relevant is that B recognizes the rule – and can
follow it – and thus play the game
how we account for this is strictly speaking – a side issue
the question of B’s understanding – and more generally the
question of the nature of understanding – is an interesting matter – a matter
open to question – open to doubt – and uncertain
but logically speaking – it is not actually relevant to
whether he plays the game
153. ‘We are trying to get hold of the mental process of understanding
which seems to be hidden behind those coarser and therefore
more readily visible accompaniments. But we do not succeed;
or,
rather, it does not get as far as a real attempt. For even
supposing I had
found something that happened in all those cases of
understanding,—
why should it be the understanding? And how can the
process of
understanding have been hidden, when I said "Now I
understand"
because I understood?! And if I say it is hidden—then how do
I know
what I have to look for? I am in a muddle.’
nothing is hidden –
what we have is proposal – and proposal in relation to proposal
‘understanding’ – is a proposal – a proposal open to question
– open to doubt – and uncertain
the question here though – is what does it matter?
we have a rule-governed propositional game
to play the game you have to recognise the rule
how you explain – or account for this recognition –
may well be of interest –
however what is important – is not the explanation of
the recognition – but the fact of the recognition –
any explanation – is open to question
and you are likely to adopt whatever explanation – that best
suits your purpose – or indeed your philosophical perspective
however no explanation changes the fact that what we are
dealing with here is a rule-governed propositional action – a game
154. ‘But wait—if "Now I understand the principle"
does not mean
the same as "The formula .... occurs to me" (or
"I say the formula",
"I write it down", etc.) —does it follow from this
that I employ the
sentence "Now I understand ....." or "Now I
can go on" as a
description of a process occurring behind or side by side with
that of
saying the formula?
If there has to be anything 'behind the utterance of the formula'
it is
particular circumstances', which justify me in
saying I can go on—when
the formula occurs to me
Try not to think of understanding as a 'mental process' at
all.—
For that is the expression which confuses you. But ask yourself:
in
what sort of case, in what kind of circumstances, do we say,
"Now I
know how to go on," when, that is, the formula has
occurred to me?—
In the sense in which there are processes (including mental
processes)
which are characteristic of understanding, understanding is not
a
mental process.
(A pain's growing more and less; the hearing of a tune or a
sentence:
these are mental processes.)’
‘Try not to think of understanding as a 'mental process' at
all.— For that is the expression which confuses you’
I have no problem thinking of the understanding as a mental
process – or of thinking of it as not as a mental process –
any account of the proposal ‘understanding’ – is
valid –
any account of ‘understanding’ – is open to question – open
to doubt – and uncertain
155. ‘Thus what I wanted to say was: when he suddenly knew
how to go on, when he understood the principle, then
possibly he
had a special experience—and if he is asked: "What was
it? What took
place when you suddenly grasped the principle?" perhaps
he will
describe it much as we described it above——but for us it is
the
circumstances under which he had such an experience
that justify
him in saying in such a case that he understands, that he
knows
how to go on.’
‘perhaps he will describe it much as we described it above’
yes – and perhaps he won’t
how he – or anyone else describes it – is to put forward a
proposal – a proposal open to question – open to doubt – and logically speaking
– uncertain
and however it is described – is really just a back story to
the fact – of recognizing the rule that is the game
the circumstances under which he had the experience – are
neither here nor there
if you recognize the rule that determines the play of the
game –
it makes no difference what the circumstances are –
if he says he understands – if he says he know how to go on –
all he is doing is underwriting the fact
and any such underwriting – is open to question
156. ‘This will become clearer if we interpolate the consideration
of another word, namely "reading". First I need to
remark that I am
not counting the understanding of what is read as part of
'reading' for
purposes of this investigation: reading is here the activity
of rendering
out loud what is written or printed; and also of writing from
dictation,
writing out something printed, playing from a score, and so
on.
The use of this word in the ordinary circumstances of our
life is of
course extremely familiar to us. But the part the word plays
in our life,
and therewith the language-game in which we employ it, would
be
difficult to describe even in rough outline. A person, let
us say an
Englishman, has received at school or at home one of the
kinds of
education usual among us, and in the course of it has
learned to read
his native language. Later he reads books, letters, newspapers,
and
other things.
Now what takes place when, say, he reads a newspaper?——His
eye passes—as we say—along the printed words, he says them out
loud—or only to himself; in particular he reads certain
words by taking
in their printed shapes as wholes; others when his eye has
taken in
the first syllables; others again he reads syllable by
syllable, and an
occasional one perhaps letter by letter.—We should also say
that he
had read a sentence if he spoke neither aloud nor to himself
during
the reading but was afterwards able to repeat the sentence
word for
word or nearly so.—He may attend to what he reads, or again—as
we
might put it—function as a mere reading-machine: I mean,
read aloud
and correctly without attending to what he is reading; perhaps
with his
attention on something quite different (so that he is unable
to say what
he has been reading if he is asked about it immediately
afterwards).
Now compare a beginner with this reader. The beginner reads
the
words by laboriously spelling them out.—Some however he
guesses
from the context, or perhaps he already partly knows the
passage by
heart. Then his teacher says that he is not really reading
the words
(and in certain cases that he is only pretending to read
them).
If we think of this sort of reading, the reading of a
beginner, and
ask ourselves what reading consists in, we shall be inclined
to say: it is a
special conscious activity of mind.
We also say of the pupil: "Of course he alone knows if
he is really
reading or merely saying the words off by heart". (We
have yet to
discuss these propositions: "He alone knows ....
".)
But I want to say: we have to admit that—as far as concerns
uttering any one of the printed words—the same thing may
take place
in the consciousness of the pupil who is 'pretending' to
read, as in
that of the practised reader who is 'reading' it. The word
"to read"
is applied differently when we are speaking of the
beginner and of the
practised reader.——Now we should of course like to say: What
goes
on in that practised reader and in the beginner when they utter
the
word can't be the same. And if there is no difference
in what they
happen to be conscious of there must be one in the unconscious
workings of their minds, or, again, in the brain.—So we
should like
to say: There are at all events two different mechanisms at
work here.
And what goes on in them must distinguish reading from not
reading.
—But these mechanisms are only hypotheses, models designed
to
explain, to sum up, what you observe.’
these ‘mechanisms’ are hypotheses – and these
hypotheses are proposals –
proposals – open to question – open to doubt – and uncertain
and that – ‘there are two different mechanisms at work here’
– is a proposal –
a proposal – open to question – open to doubt – and
uncertain
157. ‘Consider the following case. Human beings or creatures
of
some other kind are used by us as reading-machines. They are
trained
for this purpose. The trainer says of some that they can already
read,
of others that they cannot yet do so. Take the case of a
pupil who has
so far not taken part in the training: if he is shewn a
written word
he will sometimes produce some sort of sound, and here and
there it
happens 'accidentally' to be roughly right. A third person
hears this
pupil on such an occasion and says: "He is
reading". But the teacher
says: "No, he isn't reading; that was just an
accident".—But let us
suppose that this pupil continues to react correctly to further
words
that are put before him. After a while the teacher says:
"Now he can
read!"—But what of that first word? Is the teacher to
say: "I was
wrong, and he did read it"—or: "He only began
really to read later
on"?—When did he begin to read? Which was the first word
that he
read? This question makes no sense here. Unless,
indeed, we give a
definition: "The first word that a person 'reads' is
the first word of the
first series of 50 words that he reads correctly" (or
something of the sort).
If on the other hand we use "reading" to stand for
a certain
experience of transition from marks to spoken sounds, then
it certainly
makes sense to speak of the first word that he really
read. He can then
say, e.g. "At this word for the first time I had the
feeling: 'now I am
reading'.
"Or again, in the different case of a reading machine
which translated
marks into sounds, perhaps as a pianola does, it would be
possible
to say: "The machine read only after such-and-such
had happened to
it—after such-and-such parts had been connected by wires;
the first
word that it read was ....".
But in the case of the living reading-machine "reading"
meant
reacting to written signs in such-and-such ways. This concept
was
therefore quite independent of that of a mental or other mechanism.—
Nor can the teacher here say of the pupil: "Perhaps he was
already
reading when he said that word". For there is no doubt
about what
he did.—The change when the pupil began to read was a change
in
his behaviour, and it makes no sense here to speak of
'a first word in
his new state'.’
‘When did he begin to read? Which was the first word that he
read? This question makes no sense here. Unless, indeed, we give a
definition: "The first word that a person 'reads' is the first word of the
first series of 50 words that he reads correctly" (or something of the
sort).’
it is not that the question makes no sense – it is rather
that any answer to the question – is open to question – open to doubt – and uncertain
you give a definition – and all you do is put another proposal
– open to question
‘"The machine read only after such-and-such had
happened to it—after such-and-such parts had been connected by wires; the first
word that it read was ....".’
yes – you can define reading in this manner – however logically
speaking the definition – is open to question
‘The change when the pupil began to read was a change in his
behaviour, and it makes no sense here to speak of 'a first word in his new
state'.’
again – a fair enough proposal – and one open to question – open
to doubt – and uncertain
158. ‘But isn't that only because of our too slight
acquaintance
with what goes on in the brain and the nervous system? If we
had
a more accurate knowledge of these things we should see what
connexions were established by the training, and then we
should be
able to say when we looked into his brain: "Now he has
read this
word, now the reading connexion has been set up".——And
it
presumably must be like that—for otherwise how could we be
so
sure that there was such a connexion? That it is so is
presumably
a priori—or is it only probable? And how probable is it?
Now, ask
yourself: what do you know about these things?——But if it is
a priori, that means that it is a form of account which is very
convincing to us.’
seeing connections in the brain and the nervous system – is what?
it is dealing with proposals – proposals that even the scientists
will tell you are open to question – open to doubt – and uncertain
and even after seeing these connections – still the question
would remain – when does he learn to read?
my point is – there is no answer to this question – that is
not open to question – that is not open to doubt – that is not – uncertain
‘for otherwise how would we be sure there was such a connection”
well that is just the point – anyone who is ‘sure’ there is
a connection – is epistemologically deluded
by all means put the proposal and run with it if it suits
your outlook –
but don’t pretend certainty –
pretending certainty is the defining characteristic of the
ignorant
‘That it is so is presumably a priori—or is it only
probable? And how probable is it? Now, ask yourself: what do you know about
these things?——But if it is a priori, that means that it is a form of account
which is very convincing to us.’
if by an ‘a priori’ proposition – is meant that a proposition
is beyond question – beyond doubt – and certain – then there is no a priori
proposition
what you have is not a proposition but a prejudice
as to probable –
if by a ‘probable’ proposition is meant a proposition that is open to question
– open to doubt – and uncertain – then any proposition is probable
‘But if it is a priori, that means that it is a form of
account which is very convincing to us. –‘
if the issue is what is ‘convincing’ – then you have left
logic and moved into rhetoric
and as for being convinced by the a priori con – well some poor
bastards will fall for anything
159. ‘But when we think the matter over we are tempted to
say:
the one real criterion for anybody's reading is the
conscious act of
reading, the act of reading the sounds off from the
letters. "A man
surely knows whether he is reading or only pretending to
read!"—
Suppose A wants to make B believe he can read Cyrillic
script. He
learns a Russian sentence by heart and says it while looking
at the
printed words as if he were reading them. Here we shall certainly
say that A knows he is not reading, and has a sense of just this
while
pretending to read. For there are of course many more or less
characteristic sensations in reading a printed sentence; it
is not
difficult to call such sensations to mind: think of sensations
of
hesitating, of looking closer, of misreading, of words
following on
one another more or less smoothly, and so on. And equally
there are
characteristic sensations in reciting something one has learnt
by
heart. In our example A will have none of the sensations that
are
characteristic of reading, and will perhaps have a set of
sensations
characteristic of cheating.’
if I say – ‘I know am reading’ – and I am not deceiving in making
this statement –
still the statement ‘I know I am reading’ – is open to question
– is open to doubt – and is uncertain –
just what does this knowledge consist in?
presumably it has been put to me somewhere along the line –
that this behaviour I am engaged is called ‘reading’ –
and if so – this means that my ‘knowledge’ – is based on a proposition
– a proposal – put to me –
and yes we can ask well what then does this ‘reading’ amount
to – what is it?
there can be various proposals put here – various explanatory
proposals –
Wittgenstein refers to ‘characteristic sensations’ – to
account for reading – ok – but this is vague – and clearly open to question –
the nature of reading – as with the nature of any human
activity – is a matter open to question – open to doubt – and uncertain –
and the best we can do here is involve ourselves in the critical
investigation of all explanatory proposals put forward
and perhaps as a result of such an investigation new
proposals will be advanced –
new proposals to be critically investigated –
our knowledge is this critical investigation
160. ‘But imagine the following case: We give someone who
can
read fluently a text that he never saw before. He reads it to
us—but
with the sensation of saying something he has learnt by
heart (this
might be the effect of some drug). Should we say in such a
case that
he was not really reading the passage? Should we here allow
his
sensations to count as the criterion for his reading or not
reading?
Or again: Suppose that a man who is under the influence of a
certain drug is presented with a series of characters (which
need not
belong to any existing alphabet). He utters words
corresponding to
the number of the characters, as if they were letters, and
does so with
all the outward signs, and with the sensations, of reading. (We
have
experiences like this in dreams; after waking up in such a
case one says
perhaps: "It seemed to me as if I were reading a script,
though it was
not writing at all.") In such a case some people would
be inclined to
say the man was reading those marks. Others, that he
was not.—
Suppose he has in this way read (or interpreted) a set of
five marks as
A B O V E—and now we shew him the same marks in the reverse
order and he reads E VO B A; and in further tests he
always retains
the same interpretation of the marks: here we should
certainly be
inclined to say he was making up an alphabet for himself ad
hoc and
then reading accordingly.’
‘He reads it to us—but with the sensation of saying something
he has learnt by heart (this might be the effect of some drug). Should we say
in such a case that he was not really reading the passage? Should we here allow
his sensations to count as the criterion for his reading or not reading’
whether he is reading or not – is open to question –
a sensation is an explanatory proposal
whether such a proposal explains reading or not reading – is
open to question –
‘("It seemed to me as if I were reading a script, though
it was not writing at all.") –
he recognizes that what he was doing is reading – but can’t say
what he was reading –
if you regard reading as simply a learned behaviour that doesn’t
necessarily relate to a text – you might say –
yes – strictly speaking he was reading
on the other hand if you take the view that reading is a
process in relation to text – then the answer would be – no – he is not reading
‘Suppose he has in this way read (or interpreted) a set of
five marks as A B O V E—and now we shew him the same marks in the
reverse order and he reads E VO B A; and in further tests he always retains
the same interpretation of the marks: here we should certainly be inclined to
say he was making up an alphabet for himself ad hoc and then reading accordingly.’
yes – and why not?
161. ‘And remember too that there is a continuous series of
transitional
cases between that in which a person repeats from memory
what he is supposed to be reading, and that in which he
spells out every
word without being helped at all by guessing from the context
or
knowing by heart.
Try this experiment: say the numbers from 1 to 12. Now look
at
the dial of your watch and read them.—What was it that you
called
"reading" in the latter case? That is to say: what
did you do, to make
it into reading?’
the point is this that any proposal of reading – is open to
question –
and that includes what Wittgenstein refers to as these
‘transitional cases’
in relation to his proposed experiment he asks –
‘What was it that you called "reading" in the
latter case? That is to say: what did you do, to make it into reading?’
what you did to make it into reading – was propose it
as reading –
and that proposal is open to question – open to doubt – and
is uncertain
162. ‘Let us try the following definition: You are reading
when
you derive the reproduction from the original. And by
"the original" I
mean the text which you read or copy; the dictation from
which you
write; the score from which you play; etc. etc.—Now suppose
we have,
for example, taught someone the Cyrillic alphabet, and told
him how
to pronounce each letter. Next we put a passage before him
and he
reads it, pronouncing every letter as we have taught him. In
this case
we shall very likely say that he derives the sound of a word
from
the written pattern by the rule that we have given him. And
this
is also a clear case of reading. (We might say that we had
taught him
the 'rule of the alphabet'.)
But why do we say that he has derived the spoken from the
printed
words? Do we know anything more than that we taught him how each
letter should be pronounced, and that he then read the words
out
loud? Perhaps our reply will be: the pupil shews that he is
using the
rule we have given him to pass from the printed to the
spoken words.—
How this can be shewn becomes clearer if we change our
example to
one in which the pupil has to write out the text instead of
reading it
to us, has to make the transition from print to handwriting.
For in
this case we can give him the rule in the form of a table
with printed
letters in one column and cursive letters in the other. And
he shews
that he is deriving his script from the printed words by
consulting the
table.’
‘Let us try the following definition: You are reading when
you derive the reproduction from the original. And by "the original"
I mean the text which you read or copy; the dictation from which you write; the
score from which you play; etc. etc.—‘
ok – ‘deriving’ here?
‘deriving’ – is proposing in relation to the original
–
and is reading always a game – a rule-governed propositional
action in relation to text?
what about when we say we ‘read a face’ – ‘read a
situation’?
or when someone says he is ‘reading the skies’ to get an
idea of the weather that is coming?
there are no rules in these uses of ‘read’ and ‘reading’ here
– and no text
reading is whatever it is proposed to be –
and any such proposal is open to question
if I use the terms ‘read’ or ‘reading’ in a way that no one
has heard before – that is if I create a new meaning – a new use of the term –
then others will likely say they don’t know what I am talking about –
I will need to argue my case for the new usage – for its
acceptance –
and I might be successful here or I might not
163. ‘But suppose that when he did this he always wrote b
for A,
c for B, d for C, and so on, and
a for Z?—Surely we should call this too
a derivation by means of the table.—He is using it now, we
might say,
according to the second schema in §86 instead of the first.
It would still be a perfectly good case of derivation according
to the
table, even if it were represented by a schema of arrows
without
any simple regularity.
Suppose, however, that he does not stick to a single method of
transcribing, but alters his method according to a simple
rule: if he
has once written n for A, then he writes o
for the next A, p for the next,
and so on.—-But where is the dividing line between this
procedure and
a random one?
But does this mean that the word "to derive"
really has no meaning,
since the meaning seems to disintegrate when we follow it
up?’
the point is that his ‘language’ – is open to question
a derivative explanation sheds some light –
or such an approach might prove limited – and so of little
use
Wittgenstein assumes that there is a rule governing this language
use –
that is fair enough
however such a proposal is open to question
even a so called ‘random’ procedure – is open to question
how we explain this use of letters – this language – is open
to question – open to doubt and uncertain –
it is not that ‘derive’ here has no meaning – it is one
explanatory approach – one among many – and as uncertain as any other
meaning may disintegrate –
but if disintegration is proposed – disintegration is open
to question
164. ‘In case (162) the meaning of the word "to derive"
stood out
clearly. But we told ourselves that this was only a quite
special case
of deriving; deriving in a quite special garb, which had to
be stripped
from it if we wanted to see the essence of deriving. So we
stripped
those particular coverings off; but then deriving itself
disappeared.—
In order to find the real artichoke, we divested it of its
leaves. For
certainly (162) was a special case of deriving; what is essential
to
deriving, however, was not hidden beneath the surface of
this case, but
his 'surface' was one case out of the family of cases of
deriving.
And in the same way we also use the word "to read"
for a family
of cases. And in different circumstances we apply different
criteria for
a person's reading.’
‘to derive’ – is a proposal –
a proposal – open to question – open to doubt – and
uncertain
and what this proposal amounts to is open to question
therefore if the proposal is explored – different accounts
of it will be proposed –
different accounts – open to question
what connects these proposals – is the subject proposal
– and its critical analysis –
and yes – the same applies to the proposal – ‘reading’
and it should also be noted that this proposed ‘category’ of
‘family’ – this proposal – ‘family’ –
is open to question – open to doubt – and is uncertain
165. ‘But surely—we should like to say—reading is a quite
particular
process! Read a page of print and you can see that something
special
is going on, something highly characteristic.——Well, what
does go on
when I read the page? I see printed words and I say words
out loud.
But, of course, that is not all, for I might see printed words
and say
words out loud and still not be reading. Even if the words
which I say
are those which, going by an existing alphabet, are supposed
to be read
off from the printed ones.—And if you say that reading is a
particular
experience, then it becomes quite unimportant whether or not
you read
according to some generally recognized alphabetical rule.—And
what
does the characteristic thing about the experience of reading
consist
in?—Here I should like to say: "The words that I utter
come in a special
way." That is, they do not come as they would if I were
for example
making them up.—They come of themselves.—But even that is
not
enough; for the sounds of words may occur to me while I am looking
at
printed words, but that does not mean that I have read
them.—In
addition I might say here, neither do the spoken words occur
to me
as if, say, something reminded me of them. I should for
example not
wish to say: the printed word "nothing" always reminds
me of the
sound "nothing"—but the spoken words as it were
slip in as one
reads. And if I so much as look at a German printed word,
there
occurs a peculiar process, that of hearing the sound
inwardly.’
-----------------------------------------------------------------------------------
‘The grammar of the expression "a quite
particular" (atmosphere).
One says "This face has a quite particular
expression," and maybe
looks for words to characterize it.’
----------------------------------------------------------------------------------
if we are looking at a particular propositional activity –
we will likely begin by considering what makes it ‘particular’
what we have from Wittgenstein above – is an excellent
example of such an approach and analysis
however this is only one way of considering the issue – we might
– alternatively take the view that the activity appears particular – but
in fact is not
that would be to argue that reading shares essential propositional
characteristics with other propositional activities – and that from such a
point of view – in reality – is not propositionally distinctive
whether the argument is that reading is a particular propositional
activity – or the argument is that it is not a particular propositional
activity – the logical reality is that any approach and argument regarding the
matter – is open to question –
when you put your argument on this matter – or any matter –
if your object in doing so is to convince or persuade – i.e. –‘But surely—we should like to say—reading
is a quite particular process!’ – then what you are engaged in is not logic –
but rhetoric –
if on the other hand you concern is the logical
analysis of a proposal – of a proposition – of a propositional activity – your
focus will not be on just one approach to the issue – but rather it will
be a focus on the different approaches to the matter
in logical analysis –
yes – you develop a particular argument – but you should also develop and
consider opposing or different propositional perspectives –
the point is to explore – explore and map out the propositional landscape – and to always
have in mind that whatever is proposed and considered – is open to question – open
to doubt – and is uncertain
166. ‘I said that when one reads the spoken words come 'in a
special way': but in what way? Isn't this a fiction? Let us
look at
individual letters and attend to the way the sound of the
letter comes.
Read the letter A. — Now, how did the sound come? — We have
no
idea what to say about it. —— Now write a small Roman a. —
How
did the movement of the hand come as you wrote? Differently
from
the way the sound came in the previous experiment? — All I know
is,
I looked at the printed letter and wrote the cursive letter.
—— Now look
at the mark an (^ let a sound occur to you as you do so;
utter it.
The sound 'U' occurred to me; but I could not say that there
was any
essential difference in the kind of way that sound came.
The difference
lay in the difference of situation. I had told myself beforehand
that I
was to let a sound occur to me; there was a certain tension
present
before the sound came. And I did not say 'U' automatically
as I do
when I look at the letter U. Further, that mark was not familiar
to
me in the way the letters of the alphabet are. I looked at
it rather
intently and with a certain interest in its shape; as I
looked I thought
of a reversed sigma.——Imagine having to use this mark
regularly as
a letter; so that you got used to uttering a particular
sound at the sight
of it, say the sound "sh". Can we say anything but
that after a while
this sound comes automatically when we look at the mark?
That is
to say: I no longer ask myself on seeing it "What sort
of letter is that?"
—nor, of course, do I tell myself "This mark makes me
want to utter
the sound 'sh' ", nor yet "This mark somehow
reminds me of the
sound 'sh' ".
(Compare with this the idea that memory images are
distinguished
from other mental images by some special characteristic.)’
‘I said that when one reads the spoken words come 'in a special
way': but in what way? Isn't this a fiction?
it is ok to put the proposal that the spoken words
come ‘in a special way’ –
but to make this a useful proposal – you have to give some
account of what you mean by ‘special’ here
you have to put some meat on the bone – otherwise ‘special’
here is rhetorical –
and perhaps it is a ‘fiction’ – even so you still have to
give the proposal some substance – otherwise – fiction or not – it is just a
proposal – hanging in the air – going nowhere
how did the sound come? – I don’t know – but I am interested
in any proposal as to how the sound came –
and I would regard any such proposal – as open to question –
open to doubt – and uncertain
Wittgenstein goes on to consider different situations in
which sounds of signs occur – and proposes that regular use of what is an unfamiliar
sound in relation to a mark –
will become automatic –
perhaps so
the logical point though is that the production of the sound
– is a matter open to question – open to doubt – and uncertain –
and even when proposed as ‘automatic’ – open to question
and if you are going to propose that memory images are
distinguished from other mental images by some special characteristic – or
argue that they are not so distinguished –
the same issue arises – you need to give some substance to
‘special characteristic’ –
and then begin the argument
Wittgenstein does not do this –
his whole approach here seems to be one of suggestion
–
and clever suggestion has its place in rhetoric – but not in
logic
Wittgenstein began with –
‘I said that when one reads the spoken words come 'in a
special way': but in what way? Isn't this a fiction?’
here Wittgenstein has set up a straw man – and has then gone
on to ‘argue’ that it is a straw man –
really what was the point?
167. ‘Now what is there in the proposition that reading is 'a
quite
particular process'? It presumably means that when we read one
particular process takes place, which we recognize.—But
suppose
that I at one time read a sentence in print and at another
write it in
Morse code—is the mental process really the same?——On the other
hand, however, there is certainly some uniformity in the
experience
of reading a page of print. For the process is a uniform
one. And
it is quite easy to understand that there is a difference
between this
process and one of, say, letting words occur to one at the
sight of
arbitrary marks.—For the mere look of a printed line is
itself extremely
characteristic—it presents, that is, a quite special
appearance, the letters
all roughly the same size, akin in shape too, and always
recurring;
most of the words constantly repeated and enormously familiar
to us,
like well-known faces.—Think of the uneasiness we feel when
the
spelling of a word is changed. (And of the still stronger feelings
that
questions about the spelling of words have aroused.) Of course,
not
all signs have impressed themselves on us so strongly.
A sign in the
algebra of logic for instance can be replaced by any other
one without
exciting a strong reaction in us.—
Remember that the look of a word is familiar to us in the same
kind
of way as its sound.’
all this amounts to is that the proposal that reading
is ‘quite a particular process’ – is open to question – open to doubt and is
uncertain –
just as is any propositional response to this proposal
168. ‘Again, our eye passes over printed lines differently
from the
way it passes over arbitrary pothooks and flourishes. (I am
not
speaking here of what can be established by observing the
movement
of the eyes of a reader.) The eye passes, one would like to
say, with
particular ease, without being held up; and yet it doesn't skid.
And at the
same time involuntary speech goes on in the imagination. That
is how
it is when I read German and other languages, printed or written,
and in various styles.—But what in all this is essential to
reading as
such? Not any one feature that occurs in all cases of
reading. (Compare
reading ordinary print with reading words which are printed
entirely
in capital letters, as solutions of puzzles sometimes are.
How different
it is!—Or reading our script from right to left.)’
‘But what in all this is essential to reading as such? Not
any one feature that occurs in all cases of reading’
I am not against anyone proposing that there is something
essential to reading – the proposal is valid
however as with any proposal – it is open to question – open
to doubt – and uncertain
in the same way in which the proposal that there is nothing
essential to reading – is open to question – open to doubt – and uncertain
169. ‘But when we read don't we feel the word-shapes somehow
causing our utterance?——Read a sentence.—And now look along
the
following line
&8 § ¹ §¹?B +% 8§*
and say a sentence as you do so. Can't one feel that in the
first case
the utterance was connected with seeing the signs and in the
second
went on side by side with the seeing without any connexion?
But why do you say that we felt a causal connexion?
Causation is
surely something established by experiments, by observing a
regular
concomitance of events for example. So how could I say that I
felt
something which is established by experiment? (It is indeed
true
that observation of regular concomitances is not the only
way we
establish causation.) One might rather say, I feel that the
letters are
the reason why I read such-and-such. For if someone asks
me "Why
do you read such-and-such?"—I justify my reading by the
letters which
are there.
This justification, however, was something that I said, or
thought:
what does it mean to say that I feel it? I should like to
say: when I
read I feel a kind of influence of the letters working on
me——but I
feel no influence from that series of arbitrary flourishes on
what I
say.—Let us once more compare an individual letter with such
a
flourish. Should I also say I feel the influence of
"i" when I read it?
It does of course make a difference whether I say
"i" when I see "i"
or when I see "§". The difference is, for instance,
that when I see the
letter it is automatic for me to hear the sound "i"
inwardly, it happens
even against my will; and I pronounce the letter more
effortlessly
when I read it than when I am looking at "§". That
is to say: this is
how it is when I make the experiment; but of course it is
not so if I
happen to be looking at the mark "§" and at the same
time pronounce
a word in which the sound "i" occurs.’
‘But when we read don't we feel the word-shapes somehow
causing our utterance?’
that word-shapes ‘cause’ utterance – is a proposal – and one
open to question –
‘But why do you say that we felt a causal connexion?’ –
saying this may just be a way of explaining the connection
between word and utterance –
as Wittgenstein shows – this proposal is open to question –
‘when I read I feel a kind of influence of the letters working
on me – but I feel no influence from that series of arbitrary flourishes on
what I say’ –
comparing a normal sentence with an arbitrary flourish – is
as they say – like comparing apples and oranges –
it is comparing a sentence – which is a known form in
a language – with a series of marks or signs that do not constitute a
sentence – do not constitute a recognized form
one is a sentence – the other is not – so no surprise
that you would ‘feel’ different about the arbitrary flourish
as to the comparison of i and § –
that you might hear the sound of i ‘inwardly’ but not that
of § – is likely to be because you have been trained to sound i – but not trained to sound § –
so in general it is a question of usage –
what we have here is accounts of propositional usage –
any account of usage – is a proposal – open to
question –
I see no real problem with the causal account – or the
‘influence’ account – if these accounts suit your purpose – and in a lot of
contexts they would – they would go unremarked –
however as Wittgenstein demonstrates in a philosophical
context such accounts – throw up red flags –
so the issue you might say is not explanation per se
– rather context – the propositional context of an explanation –
in what propositional context does a particular explanation
fit?
and any proposal here – is open to question – open to doubt
– and uncertain
170. ‘It would never have occurred to us to think that we felt
the
influence of the letters on us when reading, if we
had not compared the
case of letters with that of arbitrary marks. And here we
are indeed
noticing a difference. And we interpret it as the
difference between being
influenced and not being influenced.
In particular, this interpretation appeals to us especially
when we
make a point of reading slowly—perhaps in order to see what
does
happen when we read. When we, so to speak, quite intentionally
let
ourselves be guided by the letters. But this 'letting
myself be guided' in
turn only consists in my looking carefully at the letters—and
perhaps
excluding certain other thoughts.
We imagine that a feeling enables us to perceive as it were
a connecting
mechanism between the look of the word and the sound that
we utter. For when I speak of the experiences of being
influenced,
of causal connexion, of being guided, that is really meant
to imply that
I as it were feel the movement of the lever which connects
seeing the
letters with speaking.’
‘It would never have occurred to us to think that we felt
the influence of the letters on us when reading, …’
it would never have occurred to us – until it was proposed
– that is the point
‘In particular, this interpretation appeals to us especially
when we make a point of reading slowly…’
another proposal – open to question –
‘For when I speak of the experiences of being influenced, of
causal connexion, of being guided, that is really meant to imply that I as it
were feel the movement of the lever which connects seeing the letters with
speaking.’
is it really meant to imply that?
perhaps proposing a causal connection – is an analogy – or
speaking metaphorically?
as to being influenced –
the matter is propositional –
that is to say you yourself – propose – or someone else
proposes – a relation between seeing the letters and speaking –
and if you ‘feel’ this relation – this ‘feel’ – is a proposal
–
and a proposal – logically speaking – that can be put to question
– put to doubt – and is uncertain
171. ‘I might have used other words to hit off the experience
I have
when I read a word. Thus I might say that the written word intimates
the sound to me.—Or again, that when one reads, letter and
sound
form a unity—as it were an alloy. (In the same way e.g. the
faces of
famous men and the sound of their names are fused together.
This
name strikes me as the only right one for this face.) When I
feel this
unity, I might say, I see or hear the sound in the written word.—
But now just read a few sentences in print as you usually do
when
you are not thinking about the concept of reading; and ask
yourself
whether you had such experiences of unity, of being
influenced and
the rest, as you read.—Don't say you had them unconsciously!
Nor
should we be misled by the picture which suggests that these
phenomena came in sight 'on closer inspection'. If I am supposed
to
describe how an object looks from far off, I don't make the
description
more accurate by saying what can be noticed about the object
on
closer inspection.’
the sound of a written word – is like the written word – a
proposal
logically it is a proposal put in relation to a proposal
the sound you make or hear could well be different – and
most likely will be in different language groups
there is nothing definite about sound
that the letter and the sound ‘form a unity’ – is a
contingent fact – if it is a fact
a fact to do with context and practise – but there is no necessity
in this
a deaf person may never know the sound of a written word – a
blind person – only the sound
the relation of the sound of a word to the written word – is a propositional relation – a relation open
to question – open to doubt – and uncertain
172. ‘Let us consider the experience of being guided, and ask
ourselves: what does this experience consist in when for instance
our
course is guided?—Imagine the following cases:
You are in a playing field with your eyes bandaged, and
someone
leads you by the hand, sometimes left, sometimes right; you
have
constantly to be ready for the tug of his hand, and must also
take care
not to stumble when he gives an unexpected tug.
Or again: someone leads you by the hand where you are
unwilling
to go, by force.
Or: you are guided by a partner in a dance; you make yourself
as
receptive as possible, in order to guess his intention and obey
the
slightest pressure.
Or: someone takes you for a walk; you are having a conversation;
you go wherever he does.
Or: you walk along a field-track, simply following it.
All these situations are similar to one another; but what is
common
to all the experiences?’
what is common here?
Wittgenstein himself proposes that what is common is the
experience of being guided
this proposal though is open to question
are you being guided on the playing field with your eyes
bandaged etc?
how do you know that the person leading you by the hand is
guiding you – perhaps they are playing with you?
are you being guided – when taken by force?
perhaps a better description is that you are being abused?
guessing someone’s intention and being prepared to obey them
– might be more like being imprisoned than guided
you go where he goes – is not necessarily being ‘guided’ –
it could be a case of the blind leading the blind
simply following a line in a field-track – strikes me as
just a case of following
look you can propose commonality – there is no problem in
doing this – but any such proposal – is open to question – open to doubt – and
uncertain
173. ‘"But being guided is surely a particular experience!"—The
answer to this is: you are now thinking of a
particular experience of
being guided.
If I want to realize the experience of the person in one of
the earlier
examples, whose writing is guided by the printed text and
the table,
I imagine 'conscientious' looking-up, and so on. As I do
this I assume
a particular expression of face (say that of a conscientious
bookkeeper).
Carefulness is a most essential part of this picture;
in another
the exclusion of every volition of one's own would be essential.
(But
take something normal people do quite unconcernedly and
imagine
someone accompanying it with the expression—and why not the
feelings?—of great carefulness.—Does that mean he is careful?
Imagine a servant dropping the tea-tray and everything on it
with all
the outward signs of carefulness.) If I imagine such a
particular
experience, it seems to me to be the experience of
being guided (or of
reading). But now I ask myself: what are you doing?—You are
looking at every letter, you are making this face, you are
writing the
letters with deliberation (and so on).—So that is the
experience of
being guided?——Here I should like to say: "No, it isn't
that; it is
something more inward, more essential."—It is as if at
first all these
more or less inessential processes were shrouded in a
particular
atmosphere, which dissipates when I look closely at them.’
‘"But being guided is surely a particular experience!"—The
answer to this is: you are now thinking of a particular experience of being
guided.’
you are now proposing a particular experience of being
guided –
and just what the ‘particularity’ here amounts to – and what
the ‘experience’ of being guided amounts to – is open to question – open to doubt
– and uncertain
it is not as if when proposals are made – the proposer has
in mind just what is being proposed – with any certainty
you make a proposal – you put it to question – you put it to
doubt – you explore its uncertainty – in order to know – what you are proposing
it is the critical investigation of the proposal that gives
substance to the proposal –
and the ‘substance’ here is a critical understanding
Wittgenstein in considering this ‘experience of being
guided’ – does conduct a critical investigation – and he comes to the
conclusion –
‘So that is the experience of being guided?——Here I should
like to say: "No, it isn't that; it is something more inward, more
essential."’
Wittgenstein has put up this proposal – and that is good – it
is interesting –
the thing is though – logically speaking – it has no greater
or lesser value than any other proposal –
as with any proposal – logically speaking – is open to
question – open to doubt and uncertain –
run with it if you will – but know you are running with
uncertainty
174. ‘Ask yourself how you draw a line parallel to a given
one 'with
deliberation'—and another time, with deliberation, one at an
angle
to it. What is the experience of deliberation? Here a particular
look,
a gesture, at once occur to you—and then you would like to
say:
"And it just is a particular inner
experience". (And that is, of course,
to add nothing).
(This is connected with the problem of the nature of
intention, of willing.’
drawing a line parallel to a given one – is a proposal –
describing this propositional act as an act of deliberation
– is a proposal –
both proposals – in different ways – are open to question –
open to doubt and uncertain –
i.e. – is it really a ‘parallel’ line? – there can be genuine
questions here –
and just how do we understand ‘deliberation’? – there are
any number of options here
‘What is the experience of deliberation? Here a particular look
a gesture, at once occur to you’ –
and it should be noted that this proposal of deliberation –
is a proposal designed to explain the proposal of particularity
‘"And it just is a particular inner
experience". (And that is, of course, to add nothing).’ –
well it doesn’t add ‘nothing’ –
if this proposal is entertained – it adds a new propositional
dimension and context to the issue – to its understanding –
as indeed Wittgenstein is well aware – and as his reference
to the question of the nature of intention and willing clearly indicates –
it is a propositional addition – and one that is open to
question – open to doubt – open to question – and uncertain
175. ‘Make some arbitrary doodle on a bit of paper.——And now
make a copy next to it, let yourself be guided by it.——I
should like
to say: "Sure enough, I was guided here. But as for
what was characteristic
in what happened—if I say what happened, I no longer find it
characteristic.
"But now notice this: while I am being guided
everything is quite
simple, I notice nothing special; but afterwards, when
I ask myself
what it was that happened, it seems to have been something
indescribable.
Afterwards no description satisfies me. It's as if I
couldn't believe
that I merely looked, made such-and-such a face, and drew a
line.—
But don't I remember anything else? No; and yet I feel as if
there must
have been something else; in particular when I say "guidance'',
"influence", and other such words to myself.
"For surely," I tell myself,
"I was being guided."—Only then does the
idea of that ethereal,
intangible influence arise.’
perhaps you could propose that what is ‘characteristic’ here
– is that the propositional action is guided?
you can go around in circles here
the logical point is that the proposal that the action is
guided – is open to question –
i.e. – you could just as easily describe the action – as one
of ‘copying’
and as for ‘characteristic’ – if it is indeed an issue at
all – again – just what that is to amount to is open to question – open to doubt
– and uncertain
‘"For surely," I tell myself, "I was being guided."—Only
then does the idea of that ethereal, intangible influence arise.’ –
you can tell yourself whatever you like – and that can lead
wherever it does
whatever the case – you are dealing with proposals –
open to question – open to doubt – and uncertain
176. ‘When I look back on the experience I have the feeling
that
what is essential about it is an 'experience of being influenced',
of a
connexion—as opposed to any mere simultaneity of phenomena:
but
at the same time I should not be willing to call any
experienced
phenomenon the "experience of being influenced".
(This contains
the germ of the idea that the will is not a phenomenon.")
I should like
to say that I had experienced the 'because', and yet
I do not want to call
any phenomenon the "experience of the because".’
looking back on the experience and having the feeling that
what is essential about it is an experience of being influenced – is to propose
in relation to the experience –
is to propose in relation to the proposal of
experience
‘the experience of being influenced’?
well if you don’t want to describe it that way – fair enough
and the ‘idea’ that the will is not a phenomenon – is again
a fair enough proposal
if you do not want to describe the experience – as the
‘experience of because’ – then don’t put that proposal
what we have here is a series of inter-related proposals –
and as Wittgenstein is suggesting – conflicting proposals
conflicting or not – these proposals – are open to question
– open to doubt – and uncertain
177. ‘I should like to say: "I experience the
because". Not because
I remember such an experience, but because when I reflect on
what I
experience in such a case I look at it through the medium of
the concept
'because' (or 'influence' or 'cause' or 'connexion').—For of
course it
is correct to say I drew the line under the influence of the
original:
this, however, does not consist simply in my feelings as I
drew the
line—under certain circumstances, it may consist in my
drawing it
parallel to the other—even though this in turn is not in general
essential
to being guided. –’
what counts as ‘experience’ – is open to question –
i.e. – is reflection on experience – ‘experience’? – or is
‘experience’ the direct experience – and reflection on it something
other than experience?
still could it not be said that you experience the
reflection?
and as for ‘because’ – do you experience ‘because’ – or is
it better seen as ‘making a connection’ –
on the other hand – do you not experience ‘making a
connection’?
and as Wittgenstein has noted – we make decisions (‘I drew the line’) in response to the
critical issues involved
these decisions though are really just steps in
propositional uncertainty –
and as with any proposition – or propositional decision –
open to question – open to doubt – and uncertain
in the absence of proposal – of propositions – what we face
is the unknown –
and the unknown is silent
we propose in response to the unknown –
proposing is making known – is making knowledge
our world is proposed – our worlds are proposed
our proposals – our propositions – are open to question –
open to doubt – and uncertain –
our knowledge is uncertain –
our propositional worlds are uncertain
178. ‘We also say: "You can see that I am guided by
it"—and
what do you see, if you see this?
When I say to myself: "But I am guided"—I make
perhaps a
movement with my hand, which expresses guiding.—Make such a
movement of the hand as if you were guiding someone along, and
then ask
yourself what the guiding character of this movement
consisted in. For
you were not guiding anyone. But you still want to call the
movement
one of 'guiding'. This movement and feeling did not contain
the
essence of guiding, but still this word forces itself upon
you. It is just
a single form of guiding which forces the expression
on us.’
what you ‘see’ – is what is proposed – and what is
proposed is open to question – open to doubt – and uncertain –
when you say to yourself ‘I am guided’ – you put a proposal
– and interpret your actions in terms of that proposal –
and what this proposal amounts to is open to question
when you ask yourself what the guiding character of this movement
consists in –
you put your proposal to question
as to the ‘essence’ of guiding – if it is proposed as
guiding – it is guiding – whatever that comes to
and the word ‘guiding’ does not force itself upon you – you propose
it –
a ‘single form of guiding’ – is a proposal – open to
question – open to doubt – and uncertain
179. ‘Let us return to our case (151). It is clear that we
should not
say B had the right to say the words "Now I know how to
go on",
just because he thought of the formula—unless experience
shewed
that there was a connexion between thinking of the formula—saying
it,
writing it down—and actually continuing the series. And obviously
such a connexion does exist.—And now one might think that
the
sentence "I can go on" meant "I have an experience
which I know
empirically to lead to the continuation of the series."
But does B mean
that when he says he can go on? Does that sentence come to
his mind,
or is he ready to produce it in explanation of what he
meant?
No. The words "Now I know how to go on" were
correctly used
when he thought of the formula: that is, given such circumstances
as
that he had learnt algebra, had used such formulae before.—But
that
does not mean that his statement is only short for a
description of all
the circumstances which constitute the scene for our
language-game.—
Think how we learn to use the expressions "Now I know
how to go
on", "Now I can go on" and others; in what
family of language-games
we learn their use.
We can also imagine the case where nothing at all occurred
in B's
mind except that he suddenly said "Now I know how to go
on"—
perhaps with a feeling of relief; and that he did in fact go
on working
out the series without using the formula. And in this case
too we
should say—in certain circumstances—that he did know how to
go on.’
‘now I can go on’ – is a proposal
all very well to put an explanation of this proposal – i.e.
it indicates the use of an algebraic formula – or the having of an experience –
etc. etc. –
and if you are in the business of explanation – this is what
you do –
and if your explanation suits your purpose – then you are
likely to stick with it –
however any ‘explanation’ – as with that to be explained –
is a proposal – a proposal – open to question – open to doubt – and
uncertain
Wittgenstein says –
‘Think how we learn to use the expressions "Now I know
how to go on", "Now I can go on" and others; in what family of
language-games we learn their use.’
this notion of a ‘family of language-games’ – is a proposal
– open to question
as to what B had in mind when he said ‘now I can go on’ –
all you can do there is ask B – and probably best to accept his answer – if he
has one –
what’s going on in your mind when B says ‘now I can go on’ –
is another matter
however the logical issue – has nothing to do with
B’s mind – your mind – or anyone else’s so called ‘mind’ –
the logical issue is that any proposal put – is open to
question – open to doubt –
and is uncertain
180. ‘This is how these words are used. It would be
quite misleading,
in this last case, for instance, to call the words a "description
of a
mental state".—One might rather call them a "signal";
and we judge
whether it was rightly employed by what he goes on to do.’
saying – ‘this is how these words are used’ – is a proposal
regarding use
‘a description of a mental state’ – is not a proposal
of how the words are used –
it is an a proposal regarding how we are to understand
the words –
we can say the words are used in this way – whatever that
amounts to –
while offering different accounts of how we are to understand
them – one of which could be that they describe a mental state –
stating use – is not stating understanding –
use – and understanding – are two different things –
nevertheless any proposal regarding how words are used is
open to question – and any proposal as to how they are understood is open to
question
‘One might rather call them a "signal"; and we
judge whether it was rightly employed by what he goes on to do.’ –
call them a signal – if you like – if that suits your
purpose –
and yes we judge – and any judgment – is a proposal
– open to question – open to doubt – and uncertain
181. ‘In order to understand this, we need also to consider
the
following: suppose B says he knows how to go on—but when he
wants to go on he hesitates and can't do it: are we to say
that he was
wrong when he said he could go on, or rather that he was
able to go on
then, only now is not?—Clearly we shall say different things
in different
cases. (Consider both kinds of case.)’
his proposal – ‘I know how to go on’ – is open to question –
‘but when he wants to go on he hesitates and can’t go
on’ –
his action here is open to question – open to doubt – and is
uncertain
perhaps his hesitation indicates that he is putting
his proposal to question – that he has doubts – and is uncertain?
182. ‘The grammar of "to fit", "to be able",
and "to understand".
(Exercises: (1) When is a cylinder C said to fit into a
hollow cylinder H?
Only while C is stuck into H? (2) Sometimes we say that C
ceased to
fit into H at such-and-such a time. What criteria are used
in such a
case for its having happened at that time? (3) What does one
regard as
criteria for a body's having changed its weight at a particular
time if it
was not actually on the balance at that time? (4) Yesterday
I knew the
poem by heart; today I no longer know it. In what kind of
case does it
make sense to ask: "When did I stop knowing it?"
(5) Someone asks
me "Can you lift this weight?" I answer "Yes".
Now he says "Do
it!"—and I can't. In what kind of circumstances would it
count as a
justification to say "When I answered 'yes' I could do
it, only now I
can't"?
The criteria which we accept for 'fitting', 'being able to',
'understanding',
are much more complicated than might appear at first sight.
That is,
the game with these words, their employment in the linguistic
intercourse that is carried on by their means, is more
involved—
the role of these words in our language other—than we are tempted
to think.
(This role is what we need to understand in order to resolve
philosophical
paradoxes. And hence definitions usually fail to resolve them;
and so,
a fortiori does the assertion that a word is 'indefinable'.)’
‘(1) When is a cylinder C said to fit into
a hollow cylinder H? Only while C is stuck into H?’
a cylinder C is said to fit into a hollow cylinder H – when
it is said that it does
when it is proposed that it does
now as with any proposal – this ‘fit’ proposal – is open to
question – open to doubt – and is uncertain
any criteria adopted for determining ‘fit’ – will be open to
question
decisions get made as to what ‘fit’ amounts to – and these
decisions might well be different at different times and in different places –
these decisions are proposals – open to question –
‘(5) Someone asks me "Can you lift this weight?" I
answer "Yes". Now he says "Do
it!"—and I can't. In what kind of circumstances would
it count as a justification to say "When I answered 'yes' I could do
it, only now I can't"?’
‘yes’ here – despite its apparent decisiveness – is a proposal
–
that this proposal turns out not to function – is just the
way of things –
that is to say in the circumstances – it turns out that it
is not a useful proposal
what ‘yes’ meant when it was spoken – is open to question
‘The criteria which we accept for 'fitting', 'being able
to', 'understanding',
are much more complicated than might appear at first sight.’
yes indeed – because ‘fitting’ – ‘being able to’ – and ‘understanding’
– are proposals
proposals – open to question – open to doubt – and uncertain
any criteria proposed for these words – are open to question
here we are talking about the critical use of language –
language-games are rule-governed –
there are no ‘rules’ as such in the critical evaluation of
language use –
any rules proposed – are open to question – open to doubt –
and uncertain
‘(This role is what we need to understand in order to resolve
philosophical paradoxes. And hence definitions usually fail to resolve them;
and so, a fortiori does the assertion that a word is 'indefinable'.)’
philosophical paradoxes – result from a non-critical use of
language
they occur when the terms involved are seen to have fixed
meanings –
a paradoxical use of language – is the sign of non-critical
– irrational language practise –
paradoxes occur as a failure of critical thinking
definitions are only of any use – if they are held open to
question
the assertion that a word is ‘indefinable’ – is the last stand
for ignorance as a pretence for wisdom
any word – is open –
open to question – open to doubt and uncertain
183. ‘But did "Now I can go on" in case (151) mean
the same as
"Now the formula has occurred to me" or something
different?
We may say that, in those circumstances, the two sentences
have the
same sense, achieve the same thing. But also that in
general these two
sentences do not have the same sense. We do say: "Now I
can go on,
I mean I know the formula", as we say "I can walk,
I mean I have
time"; but also "I can walk, I mean I am already
strong enough";
or: "I can walk, as far as the state of my legs is concerned",
that is,
when we are contrasting this condition for walking
with others. But
here we must be on our guard against thinking that there is
some
totality of conditions corresponding to the nature of
each case (e.g.
for a person's walking) so that, as it were, he could not
but walk if
they were all fulfilled.’
‘a totality of conditions’ –
any such proposal – is fair enough –
so long as you understand that it can only be a stop (perhaps
a resting place) in the logical process of question – of doubt – and the
exploration of propositional uncertainty
184. ‘I want to remember a tune and it escapes me; suddenly
I say
"Now I know it" and I sing it. What was it like to
suddenly know it?
Surely it can't have occurred to me in its entirety
in that moment'!—
Perhaps you will say: "It's a particular feeling, as if
it were there"—
but is it there? Suppose I now begin to sing it and get stuck?——
But may I not have been certain at that moment that I
knew it? So in
some sense or other it was there after all!——But in
what sense?
You would say that the tune was there, if, say, someone sang
it through,
or heard it mentally from beginning to end. I am not, of
course, denying
that the statement that the tune is there can also be given
a quite
different meaning—for example, that I have a bit of paper on
which it is
written.—And what does his being 'certain', his knowing it, consist
in?
—Of course we can say: if someone says with conviction that
now he
knows the tune, then it is (somehow) present to his mind in
its entirety
at that moment——and this is a definition of the expression
"the tune is
present to his mind in its entirety".’
‘"Now I know it" and I sing it. What was it like
to suddenly know it?’
here we are talking about proposals –
‘now I know it’ – is to report the proposal (of the
tune) –
‘and I sing it’ – is to give voice to the proposal – to make
it public
the ‘knowing it’ – the ‘knowledge’ – is the proposal –
whether made public or not –
‘What was it like to suddenly know it?’ – is a question that
can be asked here
and this knowing – this knowledge – this proposal – as
Wittgenstein goes on to show – is open to question – open to doubt – and is
uncertain –
to know is to propose –
and to give account of proposal – of ‘knowledge’ – is to
propose –
logically speaking – any proposal – any claim of knowledge –
is open to question –
open to proposal –
and there is no logical end point to a critical
investigation of any proposal – of any claim to knowledge
in practice we make decisions about what propositions we use
– and we proceed –
we proceed in and with uncertainty
‘But may I not have been certain at that moment that
I knew it?’
to be certain is to not put a proposal to question –
to doubt – it is to not explore its uncertainty
to be certain – is unreflective – it is uncritical –
to be certain – is to be logically lazy – it is to be
logically neglectful –
to be certain – is to bask in ignorance
185. ‘Let us return to our example (143). Now—judged by the
usual criteria—the pupil has mastered the series of natural
numbers.
Next we teach him to write down other series of cardinal
numbers and
get him to the point of writing down series of the form
o, n, 2n, 3n, etc.
at an order of the form "+n"; so at the order
"+i" he writes
down the series of natural numbers. — Let us suppose we have
done
exercises and given him tests up to 1000.
Now we get the pupil to continue a series (say +2) beyond
1000 —
and he writes 1000, 1004, 1008, 1012.
We say to him: "Look what you've done!" – He doesn't
understand.
We say: "You were meant to add two: look how you
began the series!" –
He answers: "Yes, isn't it right? I thought that was
how I was
meant to do it." – Or suppose he pointed to the
series and said:
"But I went on in the same way." – It would now be
no use to say:
"But can't you see .... ?" – and repeat the old
examples and explanations. –
In such a case we might say, perhaps: It comes natural to
this
person to understand our order with our explanations as we
should –
understand the order: "Add 2 up to 1000, 4 up to 2000,
6 up to 3000
and so on.
"Such a case would present similarities with one in which
a person
naturally reacted to the gesture of pointing with the hand
by looking
in the direction of the line from finger-tip to wrist, not
from wrist to
finger-tip.’
the point here is that rules – are open to question – open
to doubt – and uncertain –
rules are open to interpretation
now if a player does not understand the interpretation of
the rule that determines the game – he can’t play it –
saying ‘can’t you see?’ – doesn’t help – if someone can’t
see
I don’t think the trick is to give up
you can always have another crack at explaining the rule –
come at it from a different point of view perhaps
however if the end he still doesn’t get it – so be it –
time for a break – time for Kit Kat
186. ‘"What you are saying, then, comes to this: a new
insight —
intuition — is needed at every step to carry out the order
'+n' correctly." —
To carry it out correctly! How is it decided what is the
right
step to take at any particular stage? — "The right step
is the one that
accords with the order — as it was meant" — So when you
gave the
order +2 meant that he was to write 1002 after 1000 — and
did
you also mean that he should write 1868 after 1866, and
100036
after 100034, and so on — an infinite number of such
propositions? —
"No: what I meant was, that he should write the next
but one number
after every number that he wrote; and from this all those
propositions
follow in turn." — But that is just what is in
question: what, at any stage,
does follow from that sentence. Or, again, what, at any stage
we are to
call "being in accord" with that sentence (and with
the meaning you
then put into the sentence — whatever that may have
consisted in). It
would almost be more correct to say, not that an intuition
was needed
at every stage, but that a new decision was needed at every stage.’
"What you are saying, then, comes to this: a new
insight — intuition — is needed at every step to carry out the order '+n'
correctly."’
in a rule-governed propositional exercise – in a game – what
is required is that the player can and does follow the rule of the game
‘intuition’ – whatever this is supposed to mean – just
doesn’t come into it
‘"No: what I meant was, that he should write the next
but one number after every number that he wrote; and from this all those
propositions follow in turn." — But that is just what is in question:
what, at any stage, does follow from that sentence.’
whatever follows from that sentence – is whatever it is
proposed follows from it
without a proposal of ‘follows from’ – nothing does follow from the sentence –
and any proposal of ‘follow from’ – will be open to question
on the other hand – if the game is a ‘follows from’ game –
then the rules of that game will determine what follows from the sentence in
question
‘It would almost be more correct to say, not that an
intuition was needed at every stage, but that a new decision was needed at every
stage.’
in a rule-governed propositional action – there is no ‘decision
at every stage’
following the rule is the only decision – and if you play the
game – that decision only needs to be made once
187. ‘"But I already knew, at the time when I gave the order,
that
he ought to write 1002 after 1000." — Certainly; and you
can also say
you meant it then; only you should not let yourself
be misled by the
grammar of the words "know" and "mean".
For you don't want
to say that you thought of the step from 1000 to 1002 at
that time—
and even if you did think of this step, still you did not think
of other
ones. When you said "I already knew at the time ....."
that meant
something like: "If I had then been asked what number
should be
written after 1000, I should have replied '1002'." And
that I don't
doubt. This assumption is rather of the same kind as:
"If he had fallen
into the water then, I should have jumped in after him".—Now,
what
was wrong with your idea?’
what’s wrong here is the analogy –
the +2 game – is a rule-governed propositional action
saying – "If he had fallen into the water then, I
should have jumped in after him" –
is not a rule-governed propositional action – it is not to play
a game –
it is a proposal –
open to question – open to doubt – and uncertain
if you play a propositional game you follow the rule or rules
set out –
and if you don’t follow the rules – you don’t play the game
questioning the rules
– is not playing the game – it is engaging in a critical exercise –
a propositional game is not a critical propositional
exercise – it is a rule-governed exercise
if you are speculating on what you might do in a proposed circumstance
– you are putting a proposal – you are
not following a rule
there are two modes of propositional activity – the critical
mode – and the game mode
our propositional lives involve both modes –
they are logically different propositional activities –
they should not be confused
188. ‘Here I should first of all like to say: your idea was
that that
act of meaning the order had in its own way already traversed
all
those steps: that when you meant it your mind as it were
flew ahead
and took all the steps before you physically arrived at this
or that
one.
Thus you were inclined to use such expressions as: "The
steps are
really already taken, even before I take them in
writing or orally or in
thought." And it seemed as if they were in some unique
way
pre-determined, anticipated—as only the act of meaning can
anticipate
reality.’
what we have here is a description – an explanation – of
rule-governed propositional action
that’s all to the good –
and any such proposal – is open to question – open to doubt
and uncertain
I think ‘following the rule’ – is really all we need
following rules – is no great mystery –
however if you want to explore what ‘following the rule’
amounts to – fair enough – go for it
the ‘act of meaning’ – is the act of proposing
and the act of proposing doesn’t anticipate reality –
the act of proposing makes reality
189. ‘"But are
the steps then not determined by the algebraic formula?"—
The question contains
a mistake.
We use the
expression: "The steps are determined by the formula.....".
How is it used?—We
may perhaps refer to the fact that people are
brought by their
education (training) so to use the formula y = x2,
that they all work
out the same value for y when they substitute the
same number for x.
Or we may say: "These people are so trained that
they all take the same
step at the same point when they receive the
order 'add 3'
". We might express this by saying: for these people the
order "add
3" completely determines every step from one number
to the next. (In
contrast with other people who do not know what
they are to do on
receiving this order, or who react to it with perfect
certainty, but each
one in a different way.)
On the other hand we
can contrast different kinds of formula,
and the different
kinds of use (different kinds of training) appropriate
to them. Then we
call formulae of a particular kind (with the appropriate
methods of use)
"formulae which determine a number y for a
given value of x",
and formulae of another kind, ones which "do not
determine the number
y for a given value of x". (y = x2 would
be
of the first kind, y
¹ x2 of the second.)
The proposition "The
formula ....
determines a number y" will then be a statement about
the form of the
formula—and now we must distinguish such a
proposition as "The
formula which I have written down determines y",
or "Here is a formula
which determines y", from one of the following
kind: "The
formula y = x2 determines the number y for a given
value of x".
The question "Is the formula written down there one
that determines y?"
will then mean the same as "Is what is there a
formula of this kind
or that?"—but it is not clear off-hand what we
are to make of the
question "Is y = x2 a formula which determines y
for a given value of
x?" One might address this question to a pupil
in order to test
whether he understands the use of the word "to determine";
or it might be a
mathematical problem to prove in a particular system
that x has
only one square.’
‘"But are the steps then not determined by the
algebraic formula?"—
The question contains a mistake.
there are no steps (plural) involved – y is substituted for x2
there is the playing out of the rule –
and that is the case in even more complex algebraic formulae
‘(In contrast with other people who do not know what
they are to do on receiving this order, or who react to it
with perfect
certainty, but each one in a different way.)’
if you do not understand the signs and the rule of their
relation – in short – if you don’t understand the rule of this game – you don’t
play it –
how you ‘react’ to it – is logically irrelevant –
what is relevant – is that you follow the rule
‘On the other hand we can contrast different kinds of
formula,
and the different kinds of use (different kinds of training)
appropriate
to them.’
there is no ‘other hand’ here
different formulae – are different rules – different games
as to different uses –
with y = x2 – there is only one use – substitution –
y = x2 – is a substitution rule
where the rule is applied – what propositional context
it is used in – is nothing more than setting for the application of the
rule
‘Then we call formulae of a particular kind (with the appropriate
methods of use) "formulae which determine a number y
for a
given value of x", and formulae of another kind,
ones which "do not
determine the number y for a given value of x".
(y = x2 would
be
of the first kind, y ¹ x2 of
the second.)’
this is just a case of different rules
‘The proposition "The formula
.... determines a number y" will then
be a statement about the form of the formula—and now we must
distinguish such a proposition as "The formula which I
have written
down determines y", or
"Here is a formula which determines y",
from one of the following kind:
"The formula y = x2 determines
the number y for a given value
of x". The question "Is the formula
written down there one that
determines y?" will then mean the same
as "Is what is there a formula
of this kind or that?"—but it is not
clear off-hand what we are
to make of the question "Is y = x2 a
formula which determines y for
a given value of x?"’
here is much ado about nothing
the rule is the rule – however it is expressed
One might address this question to a pupil in order to test
whether
he understands the use of the word "to determine";
or it might be a
mathematical problem to prove in a particular system that x
has only
one square.’
‘"Is y = x2 a
formula which determines y for a given value of x?"
–
the answer is – yes
if in a particular system x has only one square – in that
system, y ¹
x2
190. ‘It may now be said: "The way the formula is meant
determines
which steps are to be taken". What is the criterion for
the way the
formula is meant? It is, for example, the kind of way we
always use it,
the way we are taught to use it.
We say, for instance, to someone who uses a sign unknown to
us:
"If by 'x!2' you mean x2, then you get this value for y, if you
mean
the other by"x!2"?
‘It may now be said: "The way the formula is meant
determines
which steps are to be taken".’
a propositional game determines its rules
a formula – a rule – is a determination of the game –
there just is no question of ‘meaning’ here
if someone uses a sign unknown to us – then the question is what
is the rule of that sign – what is the game of that sign?
‘Now ask yourself: how does one mean the one thing or the
other by"x!2’
one decides what will function and what won’t
‘That will be how meaning it can determine the steps in
advance.’
what is actually decided in the toss-up between x2 and
'x!2' – is whether you have a functional sign for a mathematical game –
and the answer with respect to 'x!2' – is quite clear
191. ‘"It is as if we could grasp the whole use of the word
in a flash."
Like what e.g.?—Can't the use—in a certain sense—be
grasped
in a flash? And in what sense can it not?—The point
is, that it is as if
we could ‘grasp it in a flash' in yet another and much more
direct sense
than that.—But have you a model for this? No. It is just
that this
expression suggests itself to us. As the result of the crossing
of
different pictures.’
‘"It is as if we could grasp the whole use of the word
in a flash."’
this is a bit ridiculous –
what we can grasp is what we know –
we don’t – we can’t – know – the ‘whole’ use of a word –
we know what we know – not every use the word has been put
to – or will be put to
‘Can't the use—in a certain sense—be grasped in a flash? And
in what sense can it not?’
yes we can identify a use – immediately –
and when can we not identify a use immediately?
when we have never come across it before –
or when we know the use of the word in a context or contexts
– but not in the context now proposed
the expression ‘grasp it in a flash' –
whether the image here is a flash of lightning – or the flash
of camera – or whatever –
the point is that the image conveys immediacy
yes – we have immediate recognition in certain circumstances
this however has no bearing on the logical status of the
proposal – of the proposition –
any use of a word – whether grasped immediately or not – is
a proposal – open to question – open to doubt – and uncertain
‘The point is, that it is as if we could ‘grasp it in a
flash' in yet another and much more direct sense than that.—But have you a
model for this? No.’
what we ‘grasp in a flash’ – if we do – is use – use we that
we are familiar with
another much more direct sense?
I don’t know that there can be another more direct sense than
the use we are familiar with –
but if you have something else in mind – put some meat on
the bone –
otherwise all you have is idle speculation – going nowhere
‘crossing different pictures’?
yes you can play with different pictures – but I don’t see
that this has anything to do with propositional logic
192. ‘You have no model of this superlative fact, but you
are
seduced into using a super-expression. (It might be called a
philosophical superlative.)’
the ‘superlative fact’ I take it is that the whole
use of a word can be grasped immediately (#191)
and the expression – ‘grasped in a flash’ – is the supper-expression
used – in the absence of a model for the superlative fact –
as I argued above in #191 – the idea that one can know the
whole use of a word – is ridiculous – and really is anybody seriously arguing
this?
the expression – ‘grasped in a flash’ – makes sense if what
you are talking about – is an immediate recognition of a use – not every
possible use
there is no super-expression here –
what Wittgenstein is on about here ‘might be called’ – a ‘superlative
thought-bubble’
193. ‘The machine as symbolizing its action: the action of a
machine—I might say at first—seems to be there in it from
the start.
What does that mean?—If we know the machine, everything
else, that
is its movement, seems to be already completely determined.
We talk as if these parts could only move in this way, as if
they
could not do anything else. How is this—do we forget the
possibility
of their bending, breaking off, melting, and so on? Yes; in
many cases
we don't think of that at all. We use a machine, or the drawing
of a
machine, to symbolize a particular action of the machine.
For instance,
we give someone such a drawing and assume that he will
derive the
movement of the parts from it. (Just as we can give someone
a number
by telling him that it is the twenty-fifth in the series 1,
4, 9, 16, . . . .)
"The machine's action seems to be in it from the start"
means:
we are inclined to compare the future movements of the
machine
in their definiteness to objects which are already lying in a
drawer
and which we then take out.——But we do not say this kind of
thing
when we are concerned with predicting the actual behaviour
of a
machine. Then we do not in general forget the possibility of
a distortion
of the parts and so on.——We do talk like that, however,
when
we are wondering at the way we can use a machine to
symbolize a
given way of moving—since it can also move in quite different
ways.
We might say that a machine, or the picture of it, is the
first of a
series of pictures which we have learnt to derive from this
one.
But when we reflect that the machine could also have moved
differently
it may look as if the way it moves must be contained in the
machine-
as-symbol far more determinately than in the actual machine.
As if it
were not enough for the movements in question to be empirically
determined in advance, but they had to be really—in a mysterious
sense—already present. And it is quite true: the
movement of the
machine-as-symbol is predetermined in a different sense from
that in
which the movement of any given actual machine is
predetermined.’
‘The machine as symbolizing its action: the action of a machine—I
might say at first—seems to be there in it from the start. What does that mean?—If
we know the machine, everything else, that is its movement, seems to be already
completely determined.’
the machine is a proposal – a rule-governed proposal
– a propositional game
if you know the rule of this game – you know the machine –
and yes everything else – that is its movement – seems to be completely determined
‘We talk as if these parts could only move in this way, as
if they could not do anything else. How is this—do we forget the possibility of
their bending, breaking off, melting, and so on?’
what makes the game – the machine – is the rule – the mechanism
–
yes – as in any game – tokens – that which you play
the game with – can malfunction
and when that happens the game – the machine – the rule –
the mechanism – is affected
any rule-governed propositional action – any game of whatever
kind – of whatever form – is subject to contingencies – you might say – ‘subject to the elements’
‘We do talk like that, however, when we are wondering
at the way we can use a machine to symbolize a given way of moving—since it can
also move in quite different ways.’
how this machine moves – how this propositional game is
played – is rule-governed – whether that be a simple rule – a complex rule
‘As if it were not enough for the movements in question to be
empirically determined in advance, but they had to be really—in a mysterious sense—already
present.’
the machine is a propositional construction – a rule-governed
propositional construction – a game
if you play the game – if you turn on the machine – you play
in accordance with the rule – the machine functions in accordance with its mechanism
–
and if it doesn’t so function – it is defective – and strictly
speaking not a ‘machine’
a ‘game’ where the rule cannot be applied – for whatever
reason – is not a game
194. ‘When does one have the thought: the possible movements
of
a machine are already there in it in some mysterious
way?—Well,
when one is doing philosophy. And what leads us into thinking
that?
The kind of way in which we talk about machines. We say, for
example,
that a machine has (possesses) such-and-such possibilities
of movement;
we speak of the ideally rigid machine which can only
move in
such-and-such a way.——What is this possibility of
movement? It is
not the movement., but it does not seem to be the
mere physical conditions
for moving either—as, that there is play between socket and
pin,
the pin not fitting too tight in the socket. For while this
is the empirical
condition for movement, one could also imagine it to be
otherwise.
The possibility of a movement is, rather, supposed to be
like a shadow
of the movement itself. But do you know of such a shadow?
And
by a shadow I do not mean some picture of the movement—for such
a
picture would not have to be a picture of just this movement.
But the
possibility of this movement must be the possibility of just
this
movement. (See how high the seas of language run here!)
The waves subside as soon as we ask ourselves: how do we use
the phrase "possibility of movement" when we are
talking about a
given machine?——But then where did our queer ideas come
from?
Well, I shew you the possibility of a movement, say by means
of a
picture of the movement: 'so possibility is something
which is like
reality'. We say: "It isn't moving yet, but it already
has the possibility
of moving"——'so possibility is something very near
reality'. Though
we may doubt whether such-and-such physical conditions make
this
movement possible, we never discuss whether this is
the possibility
of this or of that movement: 'so the possibility of the
movement
stands in a unique relation to the movement itself; closer
than that of a
picture to its subject'; for it can be doubted whether a
picture is the
picture of this thing or that. We say "Experience will
shew whether
this gives the pin this possibility of movement", but
we do not say"
Experience will shew whether this is the possibility of this
movement":
'so it is not an empirical fact that this possibility is the
possibility
of precisely this movement'.
We mind about the kind of expressions we use concerning these
things; we do not understand them, however, but misinterpret
them.
When we do philosophy we are like savages, primitive people,
who
hear the expressions of civilized men, put a false
interpretation on
them, and then draw the queerest conclusions from it.’
‘the possibility of movement in a machine’?
the machine is a propositional construct – a rule-governed
construct – logically speaking – a game
the possibility of movement in such a construct – in such a
game – is the possibility of play
if we understand that the machine is a rule-governed
propositional construct –
and we understand how a rule functions
we understand that the possibility of movement – is the
possibility of the play of the machine in accordance with its rule –
you can turn on the machine – and watch the rule play out –
watch the possibility of movement play out
‘When we do philosophy we are like savages, primitive people,
who hear the
expressions of civilized men, put a false interpretation on
them, and then draw the queerest conclusions from it.’
‘the expressions of civilized men’ – and the expressions of
philosophers – logically speaking – are in the same boat – they are proposals
–
proposals – open to question – open to doubt – and uncertain
–
there is no false interpretation – there is only different
interpretations
different proposals – open to question –
you will use whatever expression – best suits your purpose at
the time
195. ‘But I don't mean that what I do now (in grasping a sense)
determines the future use causally and as a matter of
experience, but
that in a queer way, the use itself is in some sense
present."—But of
course it is, 'in some sense'! Really the only thing wrong
with what you
say is the expression "in a queer way". The
rest is all right; and the
sentence only seems queer when one imagines a different
language-game
for it from the one in which we actually use it. (Someone
once told
me that as a child he had been surprised that a tailor could
'sew a
dress'—he thought this meant that a dress was produced by sewing
alone, by sewing one thread on to another.)’
‘But I don't mean that what I do now (in grasping a sense)
determines the future use causally and as a matter of experience, but
that in a queer way, the use itself is in some sense present."— ’
‘in some sense present’ –
it is not the use that is ‘in some sense present’
when one gasps a use
what is present is the proposal of use
a ‘queer sense’ – is only a different sense –
and here we are not talking about language-games –
for a language-game is a rule-governed propositional action
–
sense is not rule-governed – a proposal of sense is open to
question – open to doubt – and is uncertain
sense is a critical propositional issue – not a rule-governed
game
‘that a tailor could sew a dress’ – is a proposal – open to question – open to interpretation
different interpretations – different uses – for different
propositional contexts
196. ‘In our failure to understand the use of a word we take
it as
the expression of a queer process. (As we think of time
as a
queer medium, of the mind as a queer kind of being.)’
understanding a word is not a ‘queer process’ –
understanding the use of a word is engaging in the logical process
of question – of doubt – and the exploring of propositional uncertainty –
where you engage in this process there is no failure to
understand the use of a word –
the failure to understand is the failure to engage in the
logical process of question – of doubt – and the failure to explore propositional
uncertainty
time is not a queer medium – time is a proposal – open to
question – open to doubt – and uncertain
mind is not a queer kind of being – mind is a proposal –
open to question – open to doubt – and uncertain
it is time Wittgenstein dropped this ‘queer’ argument –
it is really a piece of rhetorical disparagement – disparagement of the logical process
it is anti-logical
it is a smear against the logical action of question – of
doubt – and the exploration of propositional uncertainty
it suggests that anyone who thinks logically – who acts
logically – who behaves logically – is queer
well those who do proceed logically will not be bothered by
this smear
those who don’t operate logically will have their ignorance
sanctioned and reinforced by this smear
197. ‘"It's as if we could grasp the whole use of a
word in a flash."—
And that is just what we say we do. That is to say: we
sometimes
describe what we do in these words. But there is nothing
astonishing,
nothing queer, about what happens. It becomes queer when we
are
led to think that the future development must in some way already
be
present in the act of grasping the use and yet isn't present.—For
we say
that there isn't any doubt that we understand the word, and
on the
other hand its meaning lies in its use. There is no doubt
that I now
want to play chess, but chess is the game it is in virtue of
all its rules
(and so on). Don't I know, then, which game I want to play
until I
have played it? or are all the rules contained in my act of
intending?
Is it experience that tells me that this sort of game is the
usual
consequence of such an act of intending? so is it impossible
for me to
be certain what I am intending to do? And if that is nonsense—what
kind of super-strong connexion exists between the act of
intending
and the thing intended?——Where is the connexion effected
between
the sense of the expression "Let's play a game of
chess" and all the
rules of the game?—Well, in the list of rules of the game,
in the teaching
of it, in the day-to-day practice of playing.’
‘It becomes queer when we are led to think that the future development
must in some way already be present in the act of grasping the use and yet
isn't present.—For we say that there isn't any doubt that we understand the
word, and on the other hand its meaning lies in its use.’
what you have here is a proposal of use –
and this proposal – is open to question – open to doubt – and
uncertain
if you imagine that it is any other way – you are not
thinking logically –
putting it plainly – what the use turns out to be – may not
be what you expected –
or it may
the thing is – you don’t know – with any certainty –
there is no propositional certainty
what you know is uncertain
what you know – is what you have proposed – and that is –
uncertain
‘Don't I know, then, which game I want to play until I have
played it? or are all the rules contained in my act of intending? Is it experience
that tells me that this sort of game is the usual consequence of such an act of
intending? so is it impossible for me to be certain what I am intending to do?’
if you propose to play chess – and you understand that chess
is a rule-governed propositional action – you understand that you will play in
accordance with the rules of the game –
‘Don't I know, then, which game I want to play until I have
played it? or are all the rules contained in my act of intending?’
the rules are contained in the play
it is not that I am certain about what I am intending to do
–
it is that I am simply proposing to play the game –
and that proposal – the proposal to play – as with any
proposal – is open to question – open to doubt – and uncertain –
nevertheless it is what I am intending
‘Where is the connexion effected between the sense of the
expression "Let's play a game of chess" and all the rules of the game’
‘let’s play a game of chess’ – is a proposal to play
the rules of the game – determine the play –
if you play – you play in accordance with the rules
the connection between the proposal to play – and the rules
of the game –
is the action of the play
198. ‘"But how can a rule shew me what I have to do at
this point?
Whatever I do is, on some interpretation, in accord with the
rule."
—That is not what we ought to say, but rather: any
interpretation still
hangs in the air along with what it interprets, and cannot
give it
any support. Interpretations by themselves do not determine
meaning.
"Then can whatever I do be brought into accord with the
rule?"—
Let me ask this: what has the expression of a rule—say a
sign-post—
got to do with my actions? What sort of connexion is there
here?—
Well, perhaps this one: I have been trained to react to this
sign in a
particular way, and now I do so react to it.
But that is only to give a causal connexion; to tell how it
has come
about that we now go by the sign-post; not what this going-by-the-
sign really consists in. On the contrary; I have further
indicated that
a person goes by a sign-post only in so far as there exists
a regular use
of sign-posts, a custom.’
if you engage in a rule-governed proposition action – that
is if you play a game –
you play in accordance with the rule of the game
if you don’t play in accordance with the rule – there is no
game
the very point of the game is that its rule is not open to
question – not open to doubt – or uncertain
if you wish to put the ‘rule’ to question – to doubt – to explore
its uncertainty – you are engaged in a critical process –
in this critical propositional
mode – you are not playing a game – you are not dealing with a rule – you are
dealing with a proposal –
a proposal – open to question – open to doubt – and uncertain
‘"But how can a rule shew me what I have to do at this point?
Whatever I do is, on some interpretation, in accord with the rule."’ –
the very point
of a rule – is to put an end to interpretation –
to say – ‘Whatever I do is, on some interpretation, in accord
with the rule.’ –
is to play lip service to the idea of the rule – but to actually
entirely disregard it
rules determine action – rules determine what you do – not what
you mean
in the context of a rule-governed propositional action –
meaning is irrelevant
‘Then can whatever I do be brought into accord with the
rule?’
a rule determines what you do – and the rule determines –
what you don’t do –
otherwise – we are not talking about a rule –
if there is no determination there is no rule
if whatever I do can be brought into accord with the rule –
there is no rule
‘Let me ask this: what has the expression of a rule—say a
sign-post— got to do with my actions? What sort of connexion is there here?’
what has the expression of a rule got to do with my actions?
you can choose to follow the rule – to act in accordance
with the rule – or not
‘But that is only to give a causal connexion; to tell how it
has come about that we now go by the sign-post; not what this going-by-the-sign
really consists in’
this going by the sign-post consists in going in the direction
that the sign-post indicates
‘On the contrary; I have further indicated that a person
goes by a sign-post only in so far as there exists a regular use of sign-posts,
a custom.’
yes – you have to understand the rule – and you have to know
that it will only be of use as a rule – if you follow it
199. ‘Is what we call "obeying a rule" something
that it would be
possible for only one man to do, and to do only once in his
life?—
This is of course a note on the grammar of the expression
"to obey
a rule".
It is not possible that there should have been only one occasion
on
which someone obeyed a rule. It is not possible that there should
have
been only one occasion on which a report was made, an order
given or
understood; and so on.—To obey a rule, to make a report, to
give an
order, to play a game of chess, are customs (uses,
institutions).
To understand a sentence means to understand a language. To
understand a language means to be master of a technique.’
‘Is what we call "obeying a rule" something that
it would be possible for only one man to do, and to do only once in his life?—
obeying a rule is game-play – human beings play
propositional games –
‘It is not possible that there should have been only one
occasion on which someone obeyed a rule.’
obeying rules – playing propositional games – is integral to
the propositional lives of human beings
‘It is not possible that there should have been only one
occasion on which a report was made, an order given or understood; and so on.—To
obey a rule, to make a report, to give an order, to play a game of chess, are
customs (uses, institutions).’
the rule-governed propositional mode – the game mode – is ever
present in our propositional life and behaviour –
the proposal that there should only have been one
occasion when this mode was active
defies propositional reality
‘To understand a sentence means to understand a language. To
understand a language means to be master of a technique.’
well just what ‘understanding a language’ amounts to – will
be open to question – open to doubt – and will be an uncertain matter –
I would be more modest here – and say to understand a
sentence – is to understand how it is used – how it can be used –
as for technique – is understanding a technique?
200. ‘It is, of course, imaginable that two people belonging
to a
tribe unacquainted with games should sit at a chess-board
and go
through the moves of a game of chess; and even with all the
appropriate
mental accompaniments. And if we were to see it we should
say they
were playing chess. But now imagine a game of chess translated
according to certain rules into a series of actions which we
do not
ordinarily associate with a game—say into yells and
stamping of feet.
And now suppose those two people to yell and stamp instead of
playing
the form of chess that we are used to; and this in such a
way
that their procedure is translatable by suitable rules into
a game of
chess. Should we still be inclined to say they were playing
a game?
What right would one have to say so?’
‘It is, of course, imaginable that two people belonging to a
tribe unacquainted with games should sit at a chess-board and go through the
moves of a game of chess; and even with all the appropriate mental accompaniments.
And if we were to see it we should say they were playing chess.’
any propositional action is open to question – open to doubt
– and uncertain
any propositional action can be interpreted – or read – as rule-governed
– as a game
just as any propositional action or set of actions can be
interpreted as not rule-governed –
‘And now suppose those two people to yell and stamp instead of
playing the form of chess that we are used to; and this in such a way that
their procedure is translatable by suitable rules into a game of chess. Should
we still be inclined to say they were playing a game?’
their actions can be interpreted as rule-governed –
and it can be proposed that they are playing a different from
of chess
this interpretation is valid –
but as with any interpretation of any propositional action –
open to question – open to doubt – and uncertain
(c) killer press. 2020.
(c) killer press. 2020.